Friday, August 21, 2009

Battlefield Earth: A Saga of the Year 3000 (2000)


Battlefield Earth was scientology's answer to The Ten Commandments. It was a pet project of John Travolta's, a movie based on an L. Ron Hubbard book. No studio wanted to make it because of the link to Scientology- no studio but Franchise Pictures, that is. It was filmed in Quebec, Canada, for around $45 million.

What we ended up with was a two hour long piece of shit, completely unwatchable and impressive only in that such a horrible thing was able to have been made.

Battlefield Earth starts with a Star Wars like crawl explaining the story this far, not surprising since director Roger Christian worked as a second unit director for The Phantom Menace.

It's kind of like Star Wars, only green and stupid.

The humans are almost wiped out, and aliens called Psyclos have enslaved them. There's a few humans living in little primitive tribes here and there but they're mostly enslaved. The Psyclos call humans “man-animals”.

We go now to one of the aforementioned tribes.

A girl is worried because her boyfriend hasn't come home, he's outside of the little fortress where they stay inside to be safe. He went to get medicine for his father. Some old guy (either her father or a priest) tells her that he's probably dead, so don't worry about it. She won't accept that answer obviously. Then, he shows up- he's alive! But his father died while he was gone. He says, “No! NOOOOOOOOOOO!”

So that night all the tribe is sitting around a fire and this guy, who's named Jonnie Goodboy Tyler, complains that he doesn't believe in the gods that his tribe is always talking about. The old guy from the beginning is mad that Goodboy doesn't believe in gods, so Goodboy decides to go out on a hunt to see if he can find proof either way. Before he goes, his girlfriend gives him a necklace that she says his mother gave to him before she died. What? I thought his father just died? I guess she's been holding onto this necklace for a while. She says to make sure that it, and he, come back in one piece. *loads chamber*

So Goodboy gets on a horse and fucks off to the wilderness. Out of nowhere his horse flips him off and he lands next to a giant statue of a dragon, which at first he thinks is real so he hacks and slashes it for a while.

The dragon symbolizes that the rest of the movie is going to just drag on. Haha.

Once he realizes it's obviously just a big rock, he laughs and says to noone in particular “so YOU'RE the beast we're all afraid of.”

Some assholes with spears show up and are about to kill him. Then he offers them some dead rabbits to eat and they decide to show him proof of the gods.

Their proof of the gods is the one and only cool part of the movie. They take him to an abandoned city, overgrown with plants. Goodboy's two new friends explain that the giant statues were gods who the other gods didn't like and so were turned to stone, while mannequins were people turned to stone by the gods. They go to an abandoned mall, it's kind of interesting to see Goodboy, who's been living his entire life in a wild tribe, discover modern day things like glass windows.

They make a bonfire in the mall. One of the assholes, completely unprovoked, says “Where I come from a good woman is hard to find. So if you were stupid enough to leave one behind, why don't you tell me where she is so I can find her for myelf?” Goodboy gets pissed and tried to strangle this guy. All of a sudden, an alien shows up and grabs all three and puts them in a cage on the bottom of a flying alien ship thing.

I'll mention now that 90% of the shots in this movie are canted. It's annoying as hell.

So this ship takes him to a futuristic alien city underneath a glass pyramid. Notice that we've gone from a stone age environment, to the remains of the modern age, to a technologically advanced futuristic environment. Oh boy oh boy!

When they land, the humans can't breathe. The Psyclos give them stupid looking little spaghetti strings to stick in their nose, and then they are able to breathe. A title on the screen informs us that we're now in “Human Processing Centre- Denver.”

Goodboy picks up a gun, the aliens seem unconcerned. Then he shoots and kills one of them and runs like hell, but bumps into John Travolta, who picks him up by the neck and carries him back.

They should never have hired the camera operator with the one short leg.

Apparently, no man-animal EVER has figured out how to use a gun. John Travolta laughs. The aliens, at first, spoke in some kind of grunting language, and then there's a horrible cut and they speak English. We hear the aliens in English, but the humans can't understand them, and they can't understand the humans. John Travolta's accent fluctuates between an American and a British one the entire movie, but I guess it's okay since he's not speaking English at all.

Goodboy is taken to the jails where he's washed down. A Psyclo takes his mother's necklace and destroys it. He doesn't seem that upset by this and the necklace is never again mentioned. Then why include it? Oh yeah, because this movie is stupid.

Some Psyclo asshole shows up and meets with John Travolta. They talk about how much they hate man-animals and laugh a lot. There's a meeting with JT, this new guy, and a bunch of other Psyclos. Watch it here, I'm sure as hell not explaining it.


Yes, that is Forest Whitaker.

Yeah so Travolta's pissed about having to stay on Earth forever. He immediately goes out and starts drinking some cups of green alcohol that he calls “Pans”. I hope that's not a Pan-Galactic Gargle Blaster reference from Hitchhiker's Guide to the Galaxy.

Meanwhile, aliens pour some gunk into the cages where Goodboy is. Goodboy beats the shit out of a guy and teaches the other humans to share, something they've never thought of. A recurring theme in BE:ASOTY3K is that Goodboy is smarter and better than anybody on Earth at everything, and everybody else is a big idiot.

Later, all the humans are walking through the city chained together. Suddenly, things start exploding. Goodboy grabs a chunk of something that just blew up and uses it to break his shackles, then he starts running away.

Did the camera operator just get fillings on one side of his mouth?

John Travolta is busy being a dick to Forest Whitaker. He tricks him into saying something incriminating and records it so he can show use Forest as a patsy in his evil plan. I am not going to describe John Travolta's evil plan, because it's not important to the movie.

Meanwhile, Goodboy is in a place he can't breathe so he jumps into a pipe and winds up in the sewers, where he CAN breathe. Good job man!

I cant stand this cinematography.

Somehow, John Travolta and Forest meet up with Goodboy in the sewers, even though they weren't in the sewers when we last saw them and they weren't even chasing after Goodboy. They decide that Goodboy is pretty smart and would probably be good at mining, so they take him to a mine.

When he gets to the mine, instead of picking up an axe and digging for gold like all the other humans, he goes straight for the computer that's set up right by the miners. John Travolta realizes that this man-animal is actually pretty smart and decides to teach him everything ever. He picks Goodboy up and straps him in a chair where knowledge is beamed into his head.

Just too much Dutch.

Goodboy learns mathematics (which he calls “The unifying language of the universe”), the principles of composition and design (if only HE had shot this movie), how to fly alien ships, and how to speak the Psyclo language.

CUT TO! His old girlfriend back in the camp. His horse trots into the tribe's lair without him, so she gets on her own horse and goes after him, not before that old guy tries to discourage her. “Hope is an admirable emotion, but foolishness is not.” “I'm not a child anymore! I believe he is alive!” *cocks pistol*

AND WE'RE BACK! Goodboy has used his new knowledge to break into to alien's weapons storage and he's given all the miners guns. They try to rise up and kill John and Forest, but it turns out the guns aren't loaded.

All the sets were built on the side of hill.

WHOOPS! John Travolta beats him up a little, then Travolta growls, “I think it's time that we show our little friend here a thing or two.” FIELD TRIP!

John Travolta takes Goodboy to the remains of the White House an explains that when the Psyclos attacked, the entire war lasted only nine minutes. The humans were utterly demolished and made into slaves. Wow, kind of crazy. He says to Goodboy, “Look at anything you wnt- BECAUSE NOTHING CAN HELP YOU!” Goodboy finds the Declaration of Independance and reads it, nodding in agreement with the founding fathers. It's stupid.

Then John Travolta takes a bunch of humans to a field in the middle of nowhere to watch him shoot cows. While he's got his back turned, a human tackles him and they all gang up on the fallen Psyclo, pointing a spear at him. He's as good as dead.

Sometimes the Psyclos have five fingers, sometimes six. Here, John Travolta has five.

While John Travolta's down, Goodboy riles up all the other troops ad convinces them that the best way to eventually escape is to let John Travolta capture them again so he can go back to the knowledge machine an learn more. They agree. So they let John Trvolta up and he immediately takes control of them again. So why did they push him down in the first place? Because this movie is stupid.

Travolta reveals to Goodboy that the Psyclos have captured his girlfriend, then they kill one of Goodboy's friends. Then they go back to Denver.

Back in jail, everyone hears about how Goodboy can speak Psyclone and starts freaking out with happiness. The Psyclos don't know what's going on.

Was the camera itself just too heavy?

Meanwhile, John Travolta gets an alien hooker to lick him all over his fully clothed body with her gigantic tongue. No, really.

Hey, remember Pulp Fiction? That was a good movie.

So then John Travolta drops Goodboy off in the middle of nowhere and tells him to mine a bunch of gold and bring it back in some timeframe. Goodboy read somewhere back at the White house that there's a bunch of gold in Valley Forge. So instead of mining, they go to Valley forge and get all the gold they need. They spend the rest of the time training for Goodboy's complex and brilliant plan to defeat the Psyclos and restore freedom to all the humans. It boils down to:

1.Blow up the glass pyramid with all the Psyclos inside it.
2.Blow up planet Psyclon.

TRAINING MONTAGE. The humans (who are all primitive, totally uneducated wildmen) learn how to pilot F-16s in one day. It's stupid.

Meanwhile, Forest Whitaker has made an incriminating tape of him own of John Travolta talking about his evil plan, which, again, I'm not going to get into. John Travolta shoots off Forest Whitaker's hand. Forest is pretty unconcerned about the whole thing.

Everyone on this set was likely drunk, the entire time.

So now Blondie's back at the prison, even though he's supposed to still be mining. He lets all the humans free and gives everyone guns and rocket launchers.

There's a giant uprising. Things explode everywhere. The explosions aren't the fiery kind, they're more just dust, like when you clap chalkbrushes together. In any case, the humans do pretty well with thousand year old weapons and it's hard to believe that the war between them and the Psyclos lasted only nine minutes because they're doing pretty well.

Right as they're about to blow up the pyramid (which everyone in the movie calls a dome), John Travolta appears and just fucks up everyone's day as usual. The explosives don't manage to destroy the entire dome, so the one guy crashes his ship into it, but it doesn't work. He looks over and sees a bunch of barrels labeled “FUEL”, so he shoots them with a bazooka and the dome finally collapses.

This man's horrible journey is finally over. The audience still has a half hour left.

I'll sum up the next sequence by saying that huge chunks of glass fall everywhere, all the Psylos die and all the humans live.

Well, John and Forest are still alive. Goodboy fights with John Travolta, giving his friend the opportunity to sneak into the teleporter with the bomb, teleport to Psylon, and blow it up (scrificing his own life). Goodboy explodes John Travolta's arm. John Travolta looks at his smoking arm socket with disapproval.

It's just a flesh wound.

EPILOGUE: The humans are back on top. What's this, though? John Travolta is still alive! Imprisoned in a cage surrounded by gold.

Straight up, every shot is canted and it makes the movie look retarded.

Ironically surrounded by the very thing that he tried to attain! Hoho! Goodboy comes by and taunts Travolta for a bit. Suddenly, Travolta laughs and says “There's one thing you man-animals weren't smart enough to figure out. Kill them!” Everyone spins around and there's Forest Whitaker with a gun in his hand! He walks up to Goodboy- and hands him the gun, saying “I fixed the problem with this gun. It works now.” Because he's now their technology expert, you see! *puts barrel up to head*

THE END, directed by Roger Christian.

Numbers out of ten:

Acting: 1
While there are some actors I liked in it, like John Travolta (yes) and Forest Whitaker, nobody has done anything close to a passable job. The shifting accents, the odd noises everyone makes, nothing Oscar worthy here. If I were Forest I'd be pretty embarrassed right now.
Directing: 0
Hoho! The director is an idiot. Everything he knows about moviemaking he learned on the set of The Phantom Menace. This movie has too many canted angles, repulsive editing and awkward jump cuts, long series of close ups, and bizarre performances from actors otherwise proven to be talented. Never watch this movie.
Dialogue: 4
It's bad but it's not the worst I've ever seen.
Plot: 0
It's hard to believe that anyone liked this as a book. Religion can make smart people do stupid things.
Entertainment: 0
I want to give this a negative score. This movie didn't entertain me at all, it just made me angry.

Total: 10%

The Psyclos are the lamest aliens I can recall. They're humans with yellow teeth, yellow eyes, big disgusting beehive dreadlocks, stupid facial hair, enormous crotch bulges and giant boots. Oh, and they have gross hands that change digit amounts shot to shot. John Travolta's voice is too high pitched and wimpy to sell him at all as an antagonist. The plot is overly complicated and assumes that the audience gives a shit. I was bored as hell the entire time. Every time I paused to take a screenshot, I'd find myself a couple of minutes later surfing the web, and I'd force myself to keep watching. If I wasn't writing this review there's no way in hell I would have watched the entire thing.

I'd like to say that everyone involved in this movie is an asshole. It's a movie by assholes, about assholes, for assholes. I will never watch it again. It was one of the most unpleasant two hours of my life.

Tuesday, August 18, 2009

NEWS FLASH: District 9 is good, you heard it here first

Don't be sad bro, you made back your tiny budget in one friggin weekend.

How the fuck did they make this movie with $30 million?

I saw District 9 today because I wanted to be able to use the internet again without having anything else spoiled for me. All anyone can talk about is how awesome this movie is. I was pretty skeptical of all the hype, but holy butt, it was way better than I expected. It's a genuinely interesting story and even if that's not your cup of tea it keeps your attention with its awesome CGI aliens and sexy alien weaponry (there's lots of explosions). The lead character, Wikus, is at some points kind of a dweeb, going against the stock "all-around badass" action hero. That's not to say District 9 is cliche free, but the cliches it does have are the awesome kind. In my mind it was basically a perfect movie. THAT'S RIGHT, PERFECT. It's at the very least the best movie ever made where a guy is killed by a flying pig carcass.

Director Neill Blomkamp is from Africa but is now based in Vancouver (that's in Canada!). He has quite a bit of experience doing 3-D animation, and even worked on one of my favourite Vancouver-shot shows, Stargate SG-1, before making District 9. I'm guessing his experience doing CGI helped them be efficient and keep the total cost down. It's either that or the entire crew was made up of impoverished African children working for pennies a day. It's still mind bending, because the prawns look amazing, hands down the most realistic looking CGI aliens that I can think of.

Anyway, it's nice to see something good take #1 at the box office after a summer that had Transformers 2, GI Joe, The Proposal, Angels and Demons, and I'm going to stop listing movies now because I'm getting depressed.

After the jump, check out the original short film made by Neill Blomkamp that District 9 was based on. The effects aren't as good (and by that I mean the CGI sucks and the prawns are just people in masks with blankets on) and the short isn't even all that great, but check it out anyway.



Blomkamp, more like Blom-CHAMP, am I right? No? Okay, fine, I know where the corner is. *puts on dunce cap*

Budgets for some other weekend box office winners this summer:
GI JOE: $170 million
Transformers: $200 million
Angels and Demons: $150 million
The Proposal: $40 million

Monday, August 17, 2009

Ballistic: Ecks vs Sever (2002)

Hey, all the movies I've ever reviewed on this site are from 2002. Weird eh? I'll do something different next.

Ballistics: Ecks vs Sever, starring Antonio Banderas and Lucy Liu, was a 2002 box office failure. One reason for this was probably the name. It's hard to imagine a worse name than Ballistics: Ecks vs Sever. Many people, myself included, have trouble thinking of names for characters when writing a story. The fact that this title made it past producers, focus groups, the final draft of the script, shooting, and when it was time to send out posters tells you that there's something very wrong with the Hollywood system.

BEVS starts with some pretty standard opening titles, stock helicopter shots of a city. The director really phoned this one in. By the way, the director's name is KAOS. Seriously. I can't even imagine the amount of pussy a guy with that name pulls in.

You may have the rotten tomatoes worst reviewed movie of all time under your belt, but at least your name is Kaos. That's awesome, bro. Give yourself a pat on the back.

After these useless city shots we go to a woman driving a car with her son in the back. Some guy stops her, and he mentions some kind of child custody thing, like “The boy's father wants to see him,” and she's all like “But he just got back,” and then the guy's all like “Too bad so sad, his dad wants to see him bad.” And he grabs the kid out of the back and puts him in another car. Okay.

So the kid's riding in another car now and then, exactly 4 minutes into the movie, INCLUDING the opening titles, BUH BAM! A car next to them explodes. There's a shot of a huge truck T-boning a parked car, although I'm not sure exactly why. Everybody in the car with the kid gets out, they all have guns of various sizes. One guy's trying to shield the kid with his body.

In comes Lucy Liu, hooded badass. She kicks the shit out of everybody with her asian fighting skills. The entire fight, from the moment of the first explosion, lasts about two minutes. She kicks the last guy in the face and takes the kid with her.

Nice raincoat, O-Ren Ishii.

CUT TO! Antonio Bandaras in the role of “Ecks,” sitting at a bar drinking like a fish, looking miserable.. He's got some pretty bad stubble and long greasy hair. Some FBI guys are behind him. “Hello Ecks, we're the FBI and we're taking you in.” But Ecks doesn't want to go, he just likes drinking I guess. One of the FBI guys puts his hand on Ecks' shoulder- BIG MISTAKE!

Mariachi style ass-kicking, T-minus one second...

So he beats the crap out of the two FBI agents, and some other FBI guy whose name I forget shows up. Let's call him 'Bobo.' Bobo says, “Hello Ecks, we need to talk.” Ecks responds “The answer [to whatever you're about to ask me] is no.” Then Bobo drops a bomb- Ecks dead wife, the reason, we can only assume, that Ecks is so depressed and alcoholic, is actually still live! Buhwhuuuuuuuuh? But Bobo wants Ecks to do something for him first. “Where is my wife?” “When the job is done I'll tell you what I know.” Ecks says no, I guess he doesn't believe him or something. Cut to: Ecks walking in slow motion through the rain, intercut with the same repeated shot of a car exploding. I guess that's how he thinks his wife died, in an exploding car.

Ecks changes his mind (maybe the alcohol wore off) and goes back to talk to Bobo who's still at the same bar. “You'll be joining an FBI transnational special task force,” says Bobo, which is odd, because for the rest of the movie Ecks works with only one guy max, and everything takes place in America (I think). There's no special task force and no trips to other countries. It's a strange line. Anyway.

MEANWHILE! Lucy Liu is keeping the kid from the first scene in a cage.

This kid shows absolutely no emotion through the entire movie. Here he is locked in a cage and he's reading a book or something. Kids are dumb.

Okay, enough of that! Let's get back to Ecks. He's being briefed on whatever it is they want him to do. It's pretty confusing and it's pretty hard to care at all about the plot in this movie but from what I gather somebody had invented a tiny little robot assassin that goes into your veins and kills you from within, but it was stolen by the kidnapped kid's dad, who the FBI likes to call “The Prince of Darkness.” What do they call Satan, then?

They watch some surveillance cam footage of Lucy Liu beating the shit out of people. Ecks explains that she must have been one of the many rejected Chinese baby girls adopted by the United States Government and trained to be an assassin. Bobo says “We need you to find her.” “Of course you do,” Ecks smugly replies.

So now Ecks and his new partner are sitting in a cop car listening to the police radio. Ecks' partner who is I guess a pretty new FBI recruit, notices Ecks looking at a picture of his family he has taped to the dashboard. The following cheesy dialogue is spoken:

Partner: It's my wife and daughter. (takes other photograph of daughter from wallet, displays) Her name's Mali!
Ecks: Do you love her?
Partner: (Shocked, offended, confused) Of course!
Ecks: Then get out of this business.

So Lucy Liu has been spotted at some mall or something by the police, who for some reason don't tell Ecks/ Ecks' partner. A guy walks right up behind her and puts a gun up to her back, and says something to the effect of “OH SHIT! We got you this time!” Of course, Lucy Liu pulls some Kung-fu shit and grabs the gun from him.

BAM PUNCH PUNCH BAM!

Lucy Liu now has a different gun, not sure where she got it, which she shoots in the air, and all the innocent bystanders hit the deck. Lucy Liu has a huge, long fight with what feels like the entire United States Army.

Over the police radio, Ecks hears “Attention all Units. Shots fired. Suspect is female. Vancouver Library” and hilariously deducts that it's the person he's supposed to find. Lucky there wasn't some crazy lady with a gun anywhere else that day, that would have been embarrassing for everyone. So they peel off and head for the library. Also, I'm just now realizing that maybe the 'Couv is what they meant by transnational. Huh. Canada eh? Does that really count?

So meanwhile, there's a big stupid fight with Lucy Liu and a whole bunch of guys in army uniforms. There's actually one absolutely spectacular shot of a guy falling off a building and landing on a car which is crushed, the camera follows him smoothly and at a very steady distance all the way down. It's actually incredible and by far the most impressive part of the movie.

Now what's a pretty young shot like you doing in a movie like this?

To end the fight, Lucy takes out about six fully armed guards with a pair of little stick things and then hops up onto their military assault vehicle, which has a huge gun on the back, and proceeds to kill the shit out of everybody.

So you heard there was a lady with a gun at the library, and you brought a military assault vehicle. Nice move there buddy.

After that, she just walks away.

So in the aftermath of this massacre, Bobo's talking to this British guy who works for kidnapped kid's dad. It's a heated argument and I forget what it's about, but it just lets you know that kidnapped kid's dad is a bad guy, if you hadn't figured that out when people started calling him “The Prince of Darkness.” Ecks is there, late to the fight (typical) but he's convinced that she's going to come back for more carnage. He tells Bobo to call off the police who are investigating the crime scene. “But calling off these people at this point would be career suicide!” complains Bobo. “Not quite,” says Ecks. And, BAMMO! Bobo gets shot in the chest. His dieing words to Ecks are “She knows... she knows where your wife is!” while pointing at the woman who just murdered him. Oh, Bobo! You're so selfless.

Ecks chases after her and runs down an alleyway looking for her. “Where is she!” he yells. Suddenly, a yellow car crashes through a wall. Guess who it is? I'll tell you! It's Lucy!

“Yes, I'd like my custom licence plate to say 'BAD' on it, because I'm so BAD.” “Very good ma'am. Anything else beside 'BAD'?” “Yeah, just put three random numbers after, I don't care.”

I have no idea how to explain the action sequence that followsso instead I think I'll just give you a flash gif I made. Enjoy!

BEVS: The Animated Series

So after that shit show, Ecks finds Lucy, again, and they have a little talk. He's got the drop on her with a gun, so she says “You kill me, you kill Gant's [Prince of Darkness] son!” “I don't work for Gant. I just want my wife.” Whoa there, Harrison Ford! She doesn't answer him, they have a hilariously awful fight.

Let me break this down: He had a gun, she grabbed his gun hand and his face, then he somehow threw the gun into his free hand.

Long story short, she gets away. CUT TO! The living room of Ecks' partner, his daughter Mali sitting in a chair across from Ecks. She looks about ten years younger than she did in the picture the guy showed Ecks earlier, which is a little weird.

Ecks asks his new friend for a laptop, and he goes onto the database that everybody has access to in these movies and SOMEHOW, without even knowing her name, comes up with the full profile of Lucy Liu's character, who, it turns out, is named “Sever.”

CROSS CUT WITH! Lucy Liu, at HER computer in her secret lair with all the cages. She's looking up Ecks on her computer! She's overriding passwords and everything! She does some research and reads up on what happened to his wife. Anyway, all this parallel action is getting spliced together. It would be cool if these magical databases weren't a dumb Hollywood cliche.

After reading up on Ecks' life, she does some X-Rays of the kid she has locked up, and underneath a bandage he has on his arm is one of the assassin nanobots!

What operating system is that?

Meanwhile, some guys burst in and arrest Ecks, I couldn't tell you why though. Something about murdering some Mexican guy. Maybe something he did while he was still an unemployed drunk.

Sever (Lucy Liu) calls Gant (The Prince of Darkness). More cheesy dialogue.

Gant: Where's my son, Sever?
Sever: Maybe the same place MY son is.
Gant: You can't blame me for what happened. You broke profile.
Sever: Is that what you call having a child? CLICK! (She hangs up, she doesn't just say "CLICK")

Gant calls the police and gives them the order to kill Ecks. So now Ecks is riding in an armoured bus, handcuffed to his seat. He;s got a paperclip though, and he's breaking his cuffs. He looks ahead, at a bridge over the highway they're driving on. It's Sever, and she's pointing a huge gun at the bus! He breaks his handcuffs and grabs a huge gun of his own which is hanging on the wall of the bus for some reason. Sever shoots the bus, there's a stupid explosion, the bus flips. Now, the bus is sideways on the highway, scraping along the road at great speeds. Ecks climbs out a window and shoots at Sever from the side of the bus, which is now the top of the bus.

Remember, Ecks was about to be executed, so however this ends for him, it's going to be better than that at least.

Ecks jumps off the bus and steals a motorcycle. Sever has a motorcycle of her own. There's a motorcycle chase scene that ends up in a junkyard. A few thousand exploding cars later, everyone is dead except Sever and Ecks. Sever has the opportunity to kill Sever, but she doesn't. Instead the gives him an address on a little slip of paper: 35 Lionsburg. “You want your wife? You'll find her with Gant.” Why is she all of sudden helping him when literally second ago she was trying to blow him up? She's just crazy like that.

Meanwhile, at a Beluga aquarium, Ecks' not-actually-dead-wife is looking at some belugas. Ecks shows up. They reconcile and between the two of them piece together the completely retarded diabolical plot that kept them apart.

The lighting in this scene is terrible. It would have been cooler with silhouettes.

Apparently, Gant, the Prince of Darkness, blew up a car that Ecks thought his wife was in, and blew up a car that Ecks' wife thought Ecks was in. They both thought the other had died. Ecks' wife ended up marrying Gant. This doesn't make sense to me. Ecks has already mentioned there was a funeral for his wife, and I assume there was also a funeral for him. Wouldn't they have had some of the same friends at both funerals? Does everybody in the world know about this evil plot but them? And what bout his wife getting married? Wouldn't she have had to prove she wasn't still married to Ecks, who the legal system would have found out was still alive because he was? They were both alive and living in the same town, they never ran into each other? There's a lot of holes in this story.

Anyway, then Ecks' wife says that she still loves him and blah blah blah, but guess what? Turns out the son is actually Ecks'! Holy jumpin'!

Anyway, they leave the aquarium and Sever just shows up in her car and they both get in. They go back to Sever's secret lair, where Sever lets Ecks' son out of his cage.

“Hey son, how you been doin?” “Uh, I just got out of being locked in a cage for a week.” “That's cool. I escaped from an exploding bus.”

Right after his new found son is let out of his cage, Ecks decides to lock him right back in, this time with Ecks' wife. “You'll be safer in here.” What? All right.

Sever has a huge collection of guns. She remarks, “Some women collect shoes.” Heh heh, good one.

UH-OH, BAD GUYS! Sever talks to Gant for bit, then things blow up. I'm not getting. In this scene, Kaos has artfully decided to go with a distinct theme: big dumb asplosions. Explosions are repeated multiple times from three or four camera angles. Things are getting blown left and right, and not in the good way either. It's like this was the last scene they filmed, and they realized how many explosives they still had, so they just decided “Fuck it! Let's blow everything up.”

I think Ecks is a pretty cool guy, eh walks away from explosions and doesn't afraid of anything.

So everybody dies except for Ecks, Sever, and Gant, and of course Ecks' wife and son. All five meet up in Sever's lair, and Ecks, Holmeslike, explains to everyone what Gant's evil plan was: He stole the robot assassin and injected it into his son (actually Ecks' son) to smuggle it across the border. Gant pulls out a stupid ray gun looking thing and presses it to his son's (actually Ecks' son's) arm, then exclaims “It's not here! Where is it?”

Props guy: Oh man, I forgot to get that ray gun ready for today! Okay uhhh, how about I just put a sticker on a glue gun, nobody will ever know.

Lucy Liu shoots Gant him with another ray gun thing. It doesn't seem to hurt him. Gee, I wonder what she shot him with?
Gant: All that training. Is that the best you can do?
Sever: No. THIS is. (presses button on secret remote)

We dolly in House MD style to Gant's innards, where the assassin robot is! It uses its pinchy claws to grab something that looks important ad rip it apart. Gant dies.
CUT TO: Dock. Ecks and Sever, friends forever, stand there looking at the sea.

Ecks: Thank you.
Sever: Take care of your wife and kids.
Ecks: I will.

He looks over at Sever- but she's gone! He looks around, confused. What's this, though? Looks like she's left behind a little origami swan.

Big deal. I can make one that flaps its wings when you pull its tail.

THE END!

Numbers out of ten:

Acting: 5
Fault whoever you want for the poor performances here, the director, the actors, whoever. The fact remains that Ecks and Sever are about as unbelievable as El Mariachi and O-Ren Ishii were awesome.
Directing: 1
Absolutely terrible. I'll give Kaos one mark for that awesome shot of the guy falling off a huge tower onto a car.
Dialogue: 1
I can't believe that this script was picked up to be made into a movie. The dialogue is so terrible it's a joke.
Plot: 1
Boring, complicated, full of holes, and pretty stupid overall. Not a good plot.
Entertainment: 10
So bad, it's good. I haven't laughed this hard at a movie in a while. The sequence at the end with all the explosions was probably the worst/ funniest.

TOTAL: 32%

Sunday, August 16, 2009

some links i guess: Presented by Guess Who Jules

What?

Time for a new feature on movies are pretty cool i guess that I like to call "some links i guess." How this works is, I put up some links and you go to them. A lot of them won't have anything to do with film, but suck it.

11 terrible DVD covers and movie posters

Yep, it's a DVD box. If you can think of a funny caption for this picture you should probably start your own blog... dick.

I can't watch terrible movies every day, so why not do something popular to blogs everywhere involving almost no effort? A list of stupid things! All right! Here we go!

There's a lot of terrible DVD covers and posters out there, for great movies and terrible movies alike. These can fall into a few categories: floating heads, terrible photoshops, or just all around bad layout.

Take the European release of Children of Men for example.
The layout and the colour are pretty bad, and what's going on with Clive Owen's eyes? I've heard a lot of people complain about the North American Children of Men cover, but at least it was simple, and the colour scheme representative of the movie's actual texture.

This one is just straight up terrible photoshopping. Looks like they're trying to paste William H Macy's face on somebody else's head. The “Loser...Schmoozer” lines are pretty hilarious too.
This is one of my favourite things in the world. “1-Disc Unrated Edition!” I think a better marketing strategy would have been to just go ahead and call it the “Unrated Edition,” not brag about the fact that it includes the absolute minimum amount of DVDs needed in order to be sold. But hey, I'm not paid to make DVD covers, I'm just a guy who sits in his basement making fun of other people's hard work, so what do I know, really.
Two things wrong with this photoshop. One of them doesn't matter and one of them does. First of all, that's not how reflections work. We can tell from the level of the horizon and the level of batman that he's in a tall building of his own, so the refection on the floor should be of the sky, not the city. Second of all, Batman's staring at a giant black post.

Three things I know about this graphic designer:
  1. He likes fire.
  2. He doesn't know how arms work, so he probably doesn't have arms of his own.
  3. He's anti-gun, so he refused to photoshop a gun into Nicolas Cage's hand.
Vanishing Point took a bit of a strange turn on its international release. Purple was an odd colour choice for an action movie about driving a muscle car across America. I like that they've included an actual “vanishing point” around the car, though. Anyway, this cover is the one I have and it's way better.
Here's an old one. On Her Majesty's Secret Service is one of the three James Bond movies I've actually seen, it's pretty awesome. But it's funny that in an age before photoshop people were still making the same kind of mistakes. That's not how skis work.
Clearly the graphic designer mistook Martin Lawrence for a ten-year-old and photoshopped him as such.
Seriously guys, either take a few online photoshop tutorials or just go back to painting movie posters like you used to, those always look better anyways.
I guess once you've hired Nicolas Cage for your low budget vampire comedy you can't afford to spend more than three seconds working out the DVD cover design. Makes sense.

Three pictures of Forest Whitaker? I would have been happy with one, but yeah, mathematically this should be about three times more awesome.

That was fun! I should do this again some time.

I think we've got this internet thing pretty much nailed down

No idea who painted this but it's safe to say they're about to take the art world by storm

So I enlisted the service of my best buttbuddy Nic, who you might (or might not) know as "Lostgame" and he figured out how to change the background colour. You may have also noticed that the longer posts have a "click here for more" button, which is thanks to another friend of mine named K-Kwan AKA ctrlalt_dance. Makes the blog easier to navigate or whatever. Let's try it out! After the jump you'll find my favourite trailer of all time ever. Hold out to the 1:18, that's when shit gets real. "FROM THE MAKERS OF ONG-BAK..."



YEEEEEEAH! What did you think of that, Hollywood? What taglines have you come up with lately? Honestly if this trailer alone doesn't make you want to kick a guy with a fanny pack in the face I don't think we can be friends.

Saturday, August 15, 2009

Swept Away (2002)

Guy Ritchie has had a somewhat odd career. Chances are you've seen Lock, Stock and Two Smoking Barrels and Snatch, both of which are amazing. He followed that up with Revolver, which kind of sucked, and most recently put out RockNRolla, which wasn't that bad, really. He also directed the upcoming Sherlock Holmes with Robert Downey Jr., which I'm nervously excited for. Hopefully it'll put Ritchie back on top.

The Guy Ritchie film that isn't usually talked about is Swept Away, incredibly made between Snatch and Revolver. It's a remake of the 1974 Italian film called Swept Away by an Unusual Destiny in the Blue Sea of August. Ritchie's version stars his wife Madonna as the female lead, and Adriano Giannini in the same role his father Giancarlo Giannini played in the original.



We begin with some pretty solid opening credits. It introduces some of the characters, is visually interesting, and well-edited (one of Ritchie's strengths). What we have is a group of rich people, including Amber (Madonna) and her husband, about to go on a boat cruise.

If you like gap-toothed women, you'll love this movie! Actually you'll probably still hate it.

When they get to the dock, it's established right away that Madonna's character is a complete bitch and that Madonna is a terrible actor. She doesn't want to get on the yacht because she thinks it's a piece of junk (I don't know what kind of boat she's used to but I thought it looked pretty spiffy). At least there's a gym, she says. Madonna and her party, which includes Elizabeth Banks, get on the boat. Banks is hot and awesome as always.

Now we're introduced to the other main character, Italian fisherman Giuseppe, who Madonna hilariously calls “Pee-Pee”. Right away she asks for him to show her the gym. “Ah yes, right away!” he responds, and brings her back an exercise bike and a jump rope. Wuh-oh! She gets mad and yells at him and whatnot.

During dinner, Elizabeth Banks lays some pipe by delivering the line “This is a really good idea, a trip from Italy to Greece! Just imagine all the deserted islands along the way.” Well now, that was awfully expository.

Ladies and gentlemen, Elizabeth Banks, the best part of the movie. Actually... the face that other girl's making is pretty awesome too. Best SINGLE FRAME frame of the movie, right here.

They go swimming, all except Madonna who sits in the boat under an umbrella and insults Giuseppe. The audience, at this point, hates Madonna and loves the funny little Italian fisherman. He sounds like Mario! He's mostly polite and good-natured around Madonna, but when he's out of her sight he makes remarks to the boat crew like “I'm going to kill that fucking bitch with a kitchen knife!” At one point she overhears him and asks the captain, “Did one of your crew members just swear in front of me?” The captain, thinking on his feet as captains do, plays it off like “fuking” is the name of a fish, because saying “I'm going to kill that fish bitch with a kitchen knife!” is okay. She responds, in one of the strangest lines in the movie, “I don't care if it's fuking, puking, or a fucking kung fu king! I want fish and I want it tonight!”

Madonna continues to be a bitch, Giuseppe continues to fulfill her every request. There's a truly satisfying dream sequence where Madonna complains that the fish is bad, and Giuseppe says, “Well, if you don't want to EAT it, you must want to WEAR it!” And he dumps it on her head. She gripes and complains and then he picks her up and throws her overboard, proclaiming himself in charge of the boat.

The other best part of the movie, and my computer wallpaper.

Of course, you know what kind of movie this is, so it's pretty obvious that SOMETHING or other's going to happen and they'll fall in love, right? Hope I didn't give anything away there.

Later, Madonna's drunk on the boat and bumps into Giuseppe in the hall. He's carrying a huge fish. She asks to dance with him, and he says “I don't wanna dance with people I don't like.” OH SNAP!

You want to dance, eh? What do you think, Mr Fish? Do you think I should dance with her? What's that, Mr Fish? Why, I think you're right, she DOES have a gap in her teeth.

The next day, Madonna wants to go visit the caves. Giuseppe warns her that the caves are far away, there's a strong current, it's getting late, etc. Madonna still wants to go. They get on the boat, Giuseppe warning her that it's a bad idea the entire time. Madonna asks if he's scared, he says something like, “Scared? Woman, I was conceived on a boat and born on a boat, there's no wave or storm that frightens me.” Predictably, the boat breaks down midway through this line. Try as he might, Giuseppe can't start it up again.

Guy Ritchie: “Could you look a little more worried, love?” Madonna: “Shut up! I'm the material girl!” Guy Ritchie: “Righty ho then.”

There's some very nice wide shots of the dinghy in the water, and day fades into night. Again, the movie looks great, the colour of the water is perfect and the camera moves well. You can probably tell from these stills that this ain't no Cheerleader Ninjas. Anyway, some boring stuff happens, the days pass, Madonna shoots the dinghy with a flare gun and then they find land. Civilization! ...or is it?

Nope, it's a deserted island. “It's a deserted island,” Giuseppe tells Madonna, who says “That's impossible, you idiot. It's not 1492.” They have a fight, she calls him a “dirty black midget,” he calls her a “whore”, they part ways. This is followed by a little montage of them trying to survive on the island. Giuseppe makes a spear gun out of wood, finds a little shack, fills a coke bottle with fresh water from a waterfall, and picks berries while Madonna gets hurt, falls down, and sticks her tongue into a rock crevasse to catch some tiny drips of water.

PAN UP to reveal GIUSEPPE relieving himself on the top of the rock pile, drinking from his coke bottle. He points at the camera and winks. GIUSEPPE: Live on the COKE side of life!

So, Madonna's hungry and tired while Giuseppe's having an awesome time. He's eating some fish that he caught, sitting in the shade and chuckling to himself. Madonna moans, “Give me some fucking fish you scumbag!”

I'll mention now that, for all my complaining, the movie so far hasn't been terrible. The cinematography and editing is very nice, and that alone makes it pretty watchable. It's brought down by Madonna's terrible acting and some unnatural dialogue, but honestly I didn't really mind it. It seems just like any other terrible romantic comedy.

So back to the action. Madonna asks the scumbag for some fucking fish. Then, he slaps her across the face and she stumbles back. Whoa there! That was a little weird. At first I expected it to be another dream sequence, but nope.

SLAP!

From this point on the relationship between Madonna and Giuseppe changes to that of master and slave. Giuseppe makes some rules:
  1. Don't insult Giuseppe
  2. Giuseppe's the boss
  3. If you want Giuseppe's fishes, you have to EARN them!
  4. Wash Giuseppe's clothes (here Giuseppe strips naked, hands Madonna his clothes)
  5. The plural form of "fish" is now "fishes" (seriously)
  6. You have to call Giuseppe "Master."
At first, Madonna doesn't want to be a part of this, but then he slaps her again and she reluctantly goes and washes his clothes for him.

Look at that badass, he doesn't give a SHIT about proper pluralization!

Giuseppe's now waited on hand and foot. He gives a small amount of food to Madonna, but he's a huge asshole to her as well. He spends a lot of time slapping her around and kicking her until she falls over. She spends a lot of time curled in a ball, crying softly to herself. It's uncomfortable to watch, and probably has no place in a romantic comedy, which I thought this was supposed to be. The only thing that makes watching it a little bit easier is Madonna's terrible acting, so, good casting, I guess.

At one point he forces Madonna to sing and dance for a meal. This goes into a dream sequence where Madonna lip-synchs to “Come on-a my house” in front of a band.

This would probably be more entertaining and glamourous if it wasn't a metaphor of a physically abused woman being forced to sing and dance for some raw fish to eat

So I guess she gets some food or something, but anyway, the next day Madonna's on her hands and knees cleaning the grill Giuseppe uses to cook fish on. Then, out of nowhere, Giuseppe says “Show me your tits, now!” and kicks her in the stomach. “Help! Help!” Madonna cries as Giuseppe attacks her. “Shout, shout! Who's going to help you, idiot!” Madonna kicks him in the balls and runs off. He chases her, tackles her to the ground, rips her clothes off. She screams and screams, calling him a pig and a rapist. He kisses her and asks her to beg him for sex. She eventually does, and at that point he says “No! Only when we fall in love!” and gets up and walks away, leaving Madonna to lay in the sand and cry. It's fucked up.

Quickest way to ruin a rom-com: rape scene. Or, cast Madonna

After the rape scene, slow, romantic piano music plays. Shots of a crying Madonna fade into shots of a regretful Giuseppe. Then, the montage shifts to show Madonna going up to Giuseppe and kissing his feet, then the two having sex on the beach, in Giuseppe's shack, in the forest, everywhere. Madonna is so happy! Giuseppe remarks, “Dear Mrs Amber, you have never looked so happy on the yacht.” The audience feels physically ill.

Indeed, Madonna does seem to prefer this life. A yacht (maybe even THE yacht) sails by close to the island, and she crouches for cover so she can keep living with lovable ol' Giuseppe McRapeypants.

“Ladies and gentlemen, if you'll direct your attention to the right you'll see Madonna hiding behind a bush. A common sighting in the Mediterranean.”

That night, Madonna and Giuseppe sit around a campfire. Madonna's sad because she thinks Giuseppe longs for a younger woman. He says no. Still, Madonna can't help but think that they never would have ended up together if they weren't stranded on an island (which is pretty obvious, really). Later, the two find some alcohol, drink it, and play charades.


They laugh and have fun acting out Charlie Chaplin, Jesus Christ, and a flapping penguin. The next day, Madonna tells Giuseppe she loves him. He doesn't say it back.

Though he doesn't slap her around as much anymore, Giuseppe is still a dick. One day Madonna surprises him by catching him an octopus. Angrily, he says “I catch the fishes around here, you cook them!” and throws the perfectly good octopus on the floor.

One day, a yacht arrives offshore. Giuseppe goes to catch its attention, but Madonna says “Let's hide! I love you!” Giuseppe responds, “I need proof.” So he runs out into the sea, yelling and waving.

That's him on the shore there, see?

They get on the boat. The movie cuts to Madonna hugging her old husband. Giuseppe's there, too. He looks sad and walks away. The husbands friend gives Giuseppe a literal bag full of money. Giuseppe spends it all on a wedding ring for Madonna, then he gives her a call.

Giuseppe: I love you, I am yours, I always will be!”
Madonna: “I love you too my darling, I love you more than life.”

They arrange for Giuseppe to come up with a plan, write that plan on a note, and give Madonna the note and she'll do what it says. Through a series of Shakespearean-style-letter-mix-up circumstances, they both end up believing that the other betrayed them. Madonna flies off in a helicopter with her husband, Giuseppe chases after her and tries to throw his ring at the helicopter (real smart move there, buddy). The ring falls into the sea. The camera follows the falling ring as the credits roll.

Kind of a depressing ending, but any sadness is far outweighed by the relief that the movie's over.

Swept Away is a terrible movie. It's hard to feel sympathy for Madonna's character, and even harder to laugh at a rapist. This should have been a romantic comedy between Elizabeth Banks and Jason Statham. Hey now, that's a pretty awesome idea. ARE YOU LISTENING, HOLLYWOOD?

Numbers out of ten:

Acting: 5
Madonna was awful, but the other actors weren't bad. I'll give it a 5 because Madonna shared one of the only two parts for most of the movie.
Directing: 7
The directing was fine. As I've said, most of the performances were fairly well brought out, and the shots and editing were excellent.
Dialogue: 6
Not bad either. Pretty standard dialogue for this type of movie.
Plot: 2
You'd have to be a fool to think this is a good plot. I haven't seen the original, but Guy Ritchie wrote the script for this one. I think there would have been a better way to have them fall in love than through Stockholm Syndrome.
Entertainment: 2
Right up until the slap I would have given it about a five. It wasn't a great movie but it wasn't terrible. Once the abuse started the movie was just embarrassing to watch. It's certainly not “so-bad-it's-good” either.

TOTAL: 44%

It is kind of interesting as a film, if only to show that even a great director can make a terrible movie. If you want to learn that lesson, though, watch Revolver, there's no rape and it even has Jason Statham.

Bonus Fun Fact!: Madonna's character is named Amber Leighton, which is the name of Sigmund Ritchie's real life mother. Wait, I meant to say GUY Ritchie.