Monday, May 17, 2010

Zoom: Academy for Super Heroes (2006)

I've often thought that any anecdote about a cute kid is actually an anecdote about a STUPID kid. "The other day I told little Timmy to put on some pants, but he thought I said to eat some ants! So he went out into the backyard and stuffed his face into an anthill like he was at a pie-eating contest!" "Ha ha! Yeah, kids are idiots."

Yes, kids are pretty dumb. For this reason, Hollywood studios have exactly zero incentive to make children's movies anything but stupid. The rule, as far as I can tell, is that if you're a good writer, you either want to make movies for adults or you work at Pixar. Why bother making a great piece of cinema if only a bunch of mouth-breathing kids are going to see it? There's no good reason.

It is with this in mind that we must approach Zoom: Academy for Super Heroes, a near-effortless production if there ever was one. Join me after the jump for an in-depth review.

Zoom, or as I like to call it, "The movie that made me hate Smash Mouth," begins with a quick animated montage briefly outlining the adventures of a superhero group called the "Zenith Team." Apparently there was a team of superheroes, one of them, named Concussion, turned evil and killed the rest of them except one- Zoom, his brother. Zoom managed to kill Concussion but he lost his powers in the process.

The terrible Smash Mouth song which accompanied the montage fades clumsily into a John Williamsian film score. A helicopter flies by a mountain. Movie title:

Great landscape choice. Looks like a close up of a turd.

Inside the mountain there is a secret laboratory- area 52. Rip Torn, army general, talks to Chevy Chase, scientist. Chevy helpfully explains that "We've been tracking a pan-dimensional anomaly that seems to be moving toward our time/ space continuum!" Rip Torn snarkily responds "Dr. Grant, I speak Greek, not GEEK!" Note that this is the first joke of the movie. If you're surprised, remind yourself that this is a children's movie.

So remember that bad guy who died in the opening scene, Concussion? He's not actually dead it turns out! There's a picture of him on a giant screen in this secret lab, and a timer indicating how long it will be before he bursts through the pan-dimensional anomaly back into existence- 13 days.

Spent all our government money on this giant screen, didn't have any left over for small screens for the lab scientists.

A lot of movies, particularly action movies, have computers that aren't real (Like B:EvS), but this is one of the worst examples I can recall. How does this technology work? How do they know exactly when this guy is supposed to reappear? Why is the screen arranged in such a way, with half of it devoted to a portrait of Concussion? And what's with "Status: Inactive"? Has anyone in Hollywood ever even SEEN a computer? Oy vey.

And so we cut to America's sweetheart, Tim Allen, who plays Zoom. He puts some bananas and some chocolate into a bowl, looks around to be sure he's alone, and his finger begins to vibrate rapidly, emitting a loud buzzing sound. He puts his finger into the bowl and blends himself a little smoothie. Note: At no point in the movie is there a joke about Tim Allen's vibrating dildo finger. Not once. It's like cancelling Christmas.

I hope he washed his hands. That vibrating finger's probably seen its share of places. And by places I mean vaginas.

Out a nearby window, Tim Allen sees an attractive girl and immediately stops fingerblasting his smoothie. This woman is Courtney Cox, attractive and clumsy psychiatrist from Area 52. This part of the movie is confusing and stupid, so I'll explain it as best as I can.

Courtney Cox puts her hand up to her ear and says "Okay, he sees me, go NOW." A car screeches around the corner. Although Courtney is standing on the sidewalk, totally out of the car's path, Tim yells out "Hey lady! There's a car coming!" Thanks, man! AFTER he yells out at her, Courtney starts walking across the road, but she slips and falls after about two and a half steps and is not remotely close to the car when it passes. Even though all that happens was she fell on her ass, Tim helps her up and walks her into his house. Out of nowhere, Chevy and some other scientists appear- I guess they were in the car? Chevy explains that they need his help at Area 52 but won't say why. Then he pulls out a gun. Courtney is worried and hits the gun so it points at the ceiling, but Chevy accidentally shoots it and a tranquilizer dart ricochets off the ceiling and hits Tim, who falls asleep.

Four things:

1. What was the point of the fake woman-narrowly-escapes-being-hit-by-car thing? It didn't work, why didn't she just walk up to him?

2. Why did she have to go first? Why couldn't they all have just gone at once? He wasn't upset to see them, didn't try to run or anything.

3. Why didn't Chevy Chase tell Courtney Cox about his plan to shoot Tim with a dart?

4. Why wasn't there a joke about Tim Allen's superfinger?

We now go to the movie's second montage, also set to a terrible Smash Mouth song. This one's a montage about a bunch of kids in regular society who have superpowers. There's a little girl who can lift up a truck, a fat kid who can cause his own butt to grow many times its size, a teenage boy who can become invisible, and a girl who uses telekinesis to throw food at some cheerleaders. Biff from Back to the Future has a tiny cameo in one of these quick segments.

At least he didn't get Parkinson's disease.

Tim Allen wakes up in Area 52. His new job is to interview kids with super powers, see who gets to be part of the Academy and who doesn't. This is depicted through the use of the movie's third montage, and its second montage in less than three minutes. It is accompanied musically by yet another terrible Smash Mouth song.

The four kids we've already been introduced to are the only ones accepted- Fatboy, Strongirl, Invisiboy, and Telekinetigirl. Not much of an academy if you ask me. Invisiboy hits on Telekinetigirl, setting up one of the movie's terrible romances.

Before you can blink, though, we're in for ANOTHER MONTAGE. It's a training montage, the kids are using their powers but they aren't that good yet. Strongirl throws some stuff around, Telekinetigirl makes some skittles fly around, Invisiboy tries to turn an apple invisible, and Fatboy presses Tim Allen against a pane of glass with what is implied to be a greatly expanded ballsack.

Also a great metaphor for Tim Allen's career.

Throughout all of this, Tim Allen is less than enthusiastic about teaching the kids anything. He's actually a huge asshole, effectively telling the kids there's no point, they'll die unhappy, and cutting them down any chance he gets. Courtney Cox asks him why he isn't doing a better job teaching the kids, to which he responds for some inconceivable reason "What are you, bipolar?" What?

So the next day Tim Allen grabs the kids out of bed in the middle of the night and takes them into this huge room with a flying saucer in it. He loads the kids into it, teaches them how to use it, and they all fly off to the local Wendy's for some delicious product placement.

That reminds me, I want to eat a Frosty.

Even though they stole a huge alien spaceship, presumably considered a high breach of security at Area 52, the scientists don't even find out until they see a news report with footage of the saucer at the Wendy's (and a guy who theorizes that the ship is powered by ice cream). They don't even care that much- though Tim Allen gets a bit of a scolding the scientists seem generally willing to just chalk it up to Tim Allen being a lovable goofball (especially since he brought Courtney Cox a hot chicken sandwich so she can eat great, even late).

Guess what folks? Time for still another montage! This one's another training one, accompanied by a Smash Mouth cover of "Under Pressure." Never watch this movie. Never watch this movie.

Invisiboy gets mad at the scientists and walks out of one of the training exercises. They place him in solitary confinement. Seems a bit harsh- I forget, are they in jail or at an Academy for Superheroes? Anyway, Tim Allen goes to him and they have a heartwarming talk. Tim Allen teaches Invisiboy to close his eyes and "see" places that he's not in with his mind ("It's called 'MINDSIGHT'). Invisiboy uses it to look inside Telekinetigirl's room. She's in there dancing. Tim Allen tells him that he has to be the leader of the group (though this never really happens in the movie). Invisiboy asks about the old Zenith Team, and Tim Allen explains that Concussion killed all of them, including his girlfriend. Invisiboy somehow guesses that Concussion is Tim Allen's brother. I thought he was just invisible, what's with all these mind powers all of a sudden?

On that dark note, we go into ANOTHER MONTAGE of all the characters sitting around looking sad. Why anyone but Tim Allen and Invisiboy (the only ones involved in the previous sad scene) would be depressed is beyond me. The music for this one? "Superman" by Five for Fighting, which, while not technically a terrible Smash Mouth Song or even a terrible song at all, is still unbelievably cheesy in this context.

After this sad montage, we find ourselves in a classroom with the kids. Where's Tim Allen? He hasn't shown up yet. Maybe he's still depressed from the last montage. People start talking about how they've lost faith in Tim Allen. Then he appears, happy as ever, leading into ANOTHER TRAINING MONTAGE BECAUSE THIS MOVIE IS THE DEVIL. Music: "The middle" by Jimmy Eat World.

So now Chevy and Rip are standing in the desert looking at a bad special effect, which is the trans-dimensional anomaly through which Concussion is set to emerge in only 48 hours. Chevy says he has a plan: while the kids distract Concussion, he'll ensnare him in a sonic net. Rip asks, "Is that the only option?" Chevy says "Well, if [Tim Allen] still had his powers, his speed could create a mega-vortex, which could trap Concussion and reverse the dark effects of the gamma rays."

Jeepers, the writers of this movie sure know a lot about science!

This is an example truly terrible writing. Tim Allen DOESN'T have powers, right? But this statement by Chevy would only be in the movie if Tim Allen was going to get his powers back, and was going to be able to use them after the sonic net fails. All tension has been lost. It is absolutely true that if this scene wasn't in the movie, the movie would be better.

Meanwhile, back at the ranch, there's a "prom" for the four students of the academy. The three romantic pairs have awkward flirty moments- Invisiboy compliments Telekinetigirl's dress, Tim Allen asks Courtney Cox to dance, and Strongirl dances with a robot.

And the fat kid dances with NOBODY! Ha ha ha! Cinema verite.

Rip shows up- "PARTY'S OVER!" He sends everyone to their rooms. Tim Allen sneaks into their room and wakes them up. "Where are we going?" "Somewhere the cameras won't see us," Tim responds. After they were easily able to steal a spaceship, though, Area 52's security has lost a lot of its credibility anyway.

In the super secret room Tim Allen finds, they give themselves superhero names which I will not repeat here because I prefer my names. Then they put their hands together. Invisiboy says, "Now we're a team." Tim corrects him by yelping "Now we're a FAMILY!"

Zenith team, more like Nadir team ha ha ha ha ha ha

Right after this little hand-touch, Invisiboy's mindsight goes off and he finds out that they're being trained to kill Concussion. He tells Tim Allen, who's PISSED. So... I guess he didn't know that his brother was coming back from the dead? Okay... The reason he's mad is because he doesn't think the kids should be allowed to fight Concussion because they'll probably die. Fair enough, they're just kids, and Concussion was able to take out almost an entire Zenith Team who were older and more experienced. After voicing his displeasure to Rip Torn, he gets thrown in solitary confinement.

As the kids are marching down the hall to fight Concussion, Courtney Cox saves the day by blowing all the guards and letting the kids run free. Haha, not like that, silly. Like this:

Would you believe they didn't make a "Courtney Cox blew everyone" joke?

So they all escape from the guards and then bust Tim Allen out of jail. Then they steal the spaceship so they can go... fight Concussion together? WHAT THE FUCK THIS MOVIE MAKES NO SENSE.

The fight with Concussion is somehow the worst part of the movie. Bear in mind that, from the films very first scene, we've been periodically cutting back to a timer showing when this ultra nemesis is going to show up. It's what the kids have been training for, what everything's been building to. This is how it goes down.

You can tell he's evil because his eyes are red.

Tim Allen goes to talk to him, but it's no use. Concussion blasts him with "concussive waves," which throw him back but don't seem to really hurt him. Chevy Chase throws the sonic net at Concussion, but it misses. Wuh-oh!

Concussion says to Tim Allen "I hope you've got an army behind you." Out of nowhere, the superhero kids appear. "Or a little girl with pigtails," quips Concussion. Strongirl runs at Conky in anger, and he shoots a concussive blast at her.

JUST THEN Tim Allen gets his superpowers back, and runs at Strongirl, knocking her out of the way of the blast. She's okay.

At this point, all the dramatic tension is OFFICIALLY DEAD, thanks to the earlier scene where Chevy Chase told us that Tim Allen would be able to use his powers to save the day.

Tim Allen then saves the day- with the help of his kids, of course! Make sure there are no sharp objects nearby as you read how they do it:

Invisiboy turns invisible and sneaks up on Concussion, pushing him into Fatboy, who pumps out his stomach, shooting Concussion into the air. Strongirl rips a huge metal beam out of the ground (they are in the middle of the desert for fuck's sake) and swings it at Concussion, who flies toward Tim Allen's SUPER VORTEX. But- oh no! It looks like he's going to narrowly miss the vortex! Luckily, Courtney Cox blows him and he flies into the vortex. Fuck this movie.

This whole climax, which was built up and built up over the movie, lasts only a couple minutes. It's close to the worst thing ever, but not as bad as what happens next:

Concussion, if you'll recall, murdered the original Zenith Team, including Tim Allen's girlfriend. The supervortex does not kill him. It makes him into a good guy. After he comes out of the vortex (which is just a big tornado), everyone's happy and he actually JOINS the Zenith team. Tim Allen doesn't seem to care about his old team of superheroes. Fuck this movie.

Guess what's next? If you guessed a montage, you're right. The movie ends with a montage of the kids being reintegrated into society. But I thought they were part of a team, nay, a FAMILY? Nope, they've all moved back in with their parents and lead totally separate lives. Fuck this movie.

Zoom's faults are numerous. Here are a few:

-So many plot points show up once just so they can pay off at the end. Invisiboy's mindsight power is introduced in the middle of the movie, ONCE, and used once at the end, just so Tim Allen can find out about Concussion. The spaceship is set up during the Wendy's trip, and used at the end only as a way to get to the bad guy. The idea of Tim Allen creating a super vortex is mentioned, and then he does it at the end to save the day. Horrible, horrible writing.

-I didn't really get into this, but Courtney Cox is supposed to be a mega nerd. She wears huge glasses and collects comic books in five different languages, never taking them out of their plastic sleeves. Oh, is that what a comic book nerd looks like? Fuck you, Hollywood.

-Tim Allen really is a terrible actor. With 154 credits on imdb as of today, it's hard to imagine why he's kept at this game for so long- he must have enough money to just quit show business. Love of the craft maybe? In trouble with the mob?

-The montages. I would propose as a general rule that one montage is the maximum that can be allowed in a movie- it's a useful technique but it quickly becomes irritating, and this is less a film than a series of pointless montages strung together by overwhelmingly meaningless scenes. This movie does for montages what Battlefield Earth did for canted angles.

-I didn't hate Smash Mouth before I watched this. I think I've probably only heard "All Star" before, which I have fond memories of. It makes me think of grade five for some reason. But after the onslaught of terrible music I suffered through at the hands of Smash Mouth, particularly the "Under pressure" cover, I can say with feeling that I now hate Smash Mouth.

Children's movies have their apologists- "It's a kid's movie and it's good for what it is!" "My kids love it, that's all that matters!" I probably would have liked this when I was a kid. That's because I was an idiot. And so's your kid, and so were you when you were a kid.


Numbers out of ten:

Acting: 4

Terrible acting all around. Rip Torn and Chev chase stumble through this movie, not really caring, and everyone else just seems to suck completely. 4 points for the guy at the Wendy's drive thru.

Directing: 2

Continuity errors, three shots with boom mics visible, fifteen thousand montages. Fuck this movie.

Dialogue: 3

"I can speak Greek, not geek!" Terrible dialogue delivered by terrible actors.

Plot: 1

It has the worst pacing of any movie I can think of.

Entertainment: 2

Not even going to give this one a chance. So unentertaining it's actually painful.


TOTAL: 24%


Friday, August 21, 2009

Battlefield Earth: A Saga of the Year 3000 (2000)


Battlefield Earth was scientology's answer to The Ten Commandments. It was a pet project of John Travolta's, a movie based on an L. Ron Hubbard book. No studio wanted to make it because of the link to Scientology- no studio but Franchise Pictures, that is. It was filmed in Quebec, Canada, for around $45 million.

What we ended up with was a two hour long piece of shit, completely unwatchable and impressive only in that such a horrible thing was able to have been made.

Battlefield Earth starts with a Star Wars like crawl explaining the story this far, not surprising since director Roger Christian worked as a second unit director for The Phantom Menace.

It's kind of like Star Wars, only green and stupid.

The humans are almost wiped out, and aliens called Psyclos have enslaved them. There's a few humans living in little primitive tribes here and there but they're mostly enslaved. The Psyclos call humans “man-animals”.

We go now to one of the aforementioned tribes.

A girl is worried because her boyfriend hasn't come home, he's outside of the little fortress where they stay inside to be safe. He went to get medicine for his father. Some old guy (either her father or a priest) tells her that he's probably dead, so don't worry about it. She won't accept that answer obviously. Then, he shows up- he's alive! But his father died while he was gone. He says, “No! NOOOOOOOOOOO!”

So that night all the tribe is sitting around a fire and this guy, who's named Jonnie Goodboy Tyler, complains that he doesn't believe in the gods that his tribe is always talking about. The old guy from the beginning is mad that Goodboy doesn't believe in gods, so Goodboy decides to go out on a hunt to see if he can find proof either way. Before he goes, his girlfriend gives him a necklace that she says his mother gave to him before she died. What? I thought his father just died? I guess she's been holding onto this necklace for a while. She says to make sure that it, and he, come back in one piece. *loads chamber*

So Goodboy gets on a horse and fucks off to the wilderness. Out of nowhere his horse flips him off and he lands next to a giant statue of a dragon, which at first he thinks is real so he hacks and slashes it for a while.

The dragon symbolizes that the rest of the movie is going to just drag on. Haha.

Once he realizes it's obviously just a big rock, he laughs and says to noone in particular “so YOU'RE the beast we're all afraid of.”

Some assholes with spears show up and are about to kill him. Then he offers them some dead rabbits to eat and they decide to show him proof of the gods.

Their proof of the gods is the one and only cool part of the movie. They take him to an abandoned city, overgrown with plants. Goodboy's two new friends explain that the giant statues were gods who the other gods didn't like and so were turned to stone, while mannequins were people turned to stone by the gods. They go to an abandoned mall, it's kind of interesting to see Goodboy, who's been living his entire life in a wild tribe, discover modern day things like glass windows.

They make a bonfire in the mall. One of the assholes, completely unprovoked, says “Where I come from a good woman is hard to find. So if you were stupid enough to leave one behind, why don't you tell me where she is so I can find her for myelf?” Goodboy gets pissed and tried to strangle this guy. All of a sudden, an alien shows up and grabs all three and puts them in a cage on the bottom of a flying alien ship thing.

I'll mention now that 90% of the shots in this movie are canted. It's annoying as hell.

So this ship takes him to a futuristic alien city underneath a glass pyramid. Notice that we've gone from a stone age environment, to the remains of the modern age, to a technologically advanced futuristic environment. Oh boy oh boy!

When they land, the humans can't breathe. The Psyclos give them stupid looking little spaghetti strings to stick in their nose, and then they are able to breathe. A title on the screen informs us that we're now in “Human Processing Centre- Denver.”

Goodboy picks up a gun, the aliens seem unconcerned. Then he shoots and kills one of them and runs like hell, but bumps into John Travolta, who picks him up by the neck and carries him back.

They should never have hired the camera operator with the one short leg.

Apparently, no man-animal EVER has figured out how to use a gun. John Travolta laughs. The aliens, at first, spoke in some kind of grunting language, and then there's a horrible cut and they speak English. We hear the aliens in English, but the humans can't understand them, and they can't understand the humans. John Travolta's accent fluctuates between an American and a British one the entire movie, but I guess it's okay since he's not speaking English at all.

Goodboy is taken to the jails where he's washed down. A Psyclo takes his mother's necklace and destroys it. He doesn't seem that upset by this and the necklace is never again mentioned. Then why include it? Oh yeah, because this movie is stupid.

Some Psyclo asshole shows up and meets with John Travolta. They talk about how much they hate man-animals and laugh a lot. There's a meeting with JT, this new guy, and a bunch of other Psyclos. Watch it here, I'm sure as hell not explaining it.


Yes, that is Forest Whitaker.

Yeah so Travolta's pissed about having to stay on Earth forever. He immediately goes out and starts drinking some cups of green alcohol that he calls “Pans”. I hope that's not a Pan-Galactic Gargle Blaster reference from Hitchhiker's Guide to the Galaxy.

Meanwhile, aliens pour some gunk into the cages where Goodboy is. Goodboy beats the shit out of a guy and teaches the other humans to share, something they've never thought of. A recurring theme in BE:ASOTY3K is that Goodboy is smarter and better than anybody on Earth at everything, and everybody else is a big idiot.

Later, all the humans are walking through the city chained together. Suddenly, things start exploding. Goodboy grabs a chunk of something that just blew up and uses it to break his shackles, then he starts running away.

Did the camera operator just get fillings on one side of his mouth?

John Travolta is busy being a dick to Forest Whitaker. He tricks him into saying something incriminating and records it so he can show use Forest as a patsy in his evil plan. I am not going to describe John Travolta's evil plan, because it's not important to the movie.

Meanwhile, Goodboy is in a place he can't breathe so he jumps into a pipe and winds up in the sewers, where he CAN breathe. Good job man!

I cant stand this cinematography.

Somehow, John Travolta and Forest meet up with Goodboy in the sewers, even though they weren't in the sewers when we last saw them and they weren't even chasing after Goodboy. They decide that Goodboy is pretty smart and would probably be good at mining, so they take him to a mine.

When he gets to the mine, instead of picking up an axe and digging for gold like all the other humans, he goes straight for the computer that's set up right by the miners. John Travolta realizes that this man-animal is actually pretty smart and decides to teach him everything ever. He picks Goodboy up and straps him in a chair where knowledge is beamed into his head.

Just too much Dutch.

Goodboy learns mathematics (which he calls “The unifying language of the universe”), the principles of composition and design (if only HE had shot this movie), how to fly alien ships, and how to speak the Psyclo language.

CUT TO! His old girlfriend back in the camp. His horse trots into the tribe's lair without him, so she gets on her own horse and goes after him, not before that old guy tries to discourage her. “Hope is an admirable emotion, but foolishness is not.” “I'm not a child anymore! I believe he is alive!” *cocks pistol*

AND WE'RE BACK! Goodboy has used his new knowledge to break into to alien's weapons storage and he's given all the miners guns. They try to rise up and kill John and Forest, but it turns out the guns aren't loaded.

All the sets were built on the side of hill.

WHOOPS! John Travolta beats him up a little, then Travolta growls, “I think it's time that we show our little friend here a thing or two.” FIELD TRIP!

John Travolta takes Goodboy to the remains of the White House an explains that when the Psyclos attacked, the entire war lasted only nine minutes. The humans were utterly demolished and made into slaves. Wow, kind of crazy. He says to Goodboy, “Look at anything you wnt- BECAUSE NOTHING CAN HELP YOU!” Goodboy finds the Declaration of Independance and reads it, nodding in agreement with the founding fathers. It's stupid.

Then John Travolta takes a bunch of humans to a field in the middle of nowhere to watch him shoot cows. While he's got his back turned, a human tackles him and they all gang up on the fallen Psyclo, pointing a spear at him. He's as good as dead.

Sometimes the Psyclos have five fingers, sometimes six. Here, John Travolta has five.

While John Travolta's down, Goodboy riles up all the other troops ad convinces them that the best way to eventually escape is to let John Travolta capture them again so he can go back to the knowledge machine an learn more. They agree. So they let John Trvolta up and he immediately takes control of them again. So why did they push him down in the first place? Because this movie is stupid.

Travolta reveals to Goodboy that the Psyclos have captured his girlfriend, then they kill one of Goodboy's friends. Then they go back to Denver.

Back in jail, everyone hears about how Goodboy can speak Psyclone and starts freaking out with happiness. The Psyclos don't know what's going on.

Was the camera itself just too heavy?

Meanwhile, John Travolta gets an alien hooker to lick him all over his fully clothed body with her gigantic tongue. No, really.

Hey, remember Pulp Fiction? That was a good movie.

So then John Travolta drops Goodboy off in the middle of nowhere and tells him to mine a bunch of gold and bring it back in some timeframe. Goodboy read somewhere back at the White house that there's a bunch of gold in Valley Forge. So instead of mining, they go to Valley forge and get all the gold they need. They spend the rest of the time training for Goodboy's complex and brilliant plan to defeat the Psyclos and restore freedom to all the humans. It boils down to:

1.Blow up the glass pyramid with all the Psyclos inside it.
2.Blow up planet Psyclon.

TRAINING MONTAGE. The humans (who are all primitive, totally uneducated wildmen) learn how to pilot F-16s in one day. It's stupid.

Meanwhile, Forest Whitaker has made an incriminating tape of him own of John Travolta talking about his evil plan, which, again, I'm not going to get into. John Travolta shoots off Forest Whitaker's hand. Forest is pretty unconcerned about the whole thing.

Everyone on this set was likely drunk, the entire time.

So now Blondie's back at the prison, even though he's supposed to still be mining. He lets all the humans free and gives everyone guns and rocket launchers.

There's a giant uprising. Things explode everywhere. The explosions aren't the fiery kind, they're more just dust, like when you clap chalkbrushes together. In any case, the humans do pretty well with thousand year old weapons and it's hard to believe that the war between them and the Psyclos lasted only nine minutes because they're doing pretty well.

Right as they're about to blow up the pyramid (which everyone in the movie calls a dome), John Travolta appears and just fucks up everyone's day as usual. The explosives don't manage to destroy the entire dome, so the one guy crashes his ship into it, but it doesn't work. He looks over and sees a bunch of barrels labeled “FUEL”, so he shoots them with a bazooka and the dome finally collapses.

This man's horrible journey is finally over. The audience still has a half hour left.

I'll sum up the next sequence by saying that huge chunks of glass fall everywhere, all the Psylos die and all the humans live.

Well, John and Forest are still alive. Goodboy fights with John Travolta, giving his friend the opportunity to sneak into the teleporter with the bomb, teleport to Psylon, and blow it up (scrificing his own life). Goodboy explodes John Travolta's arm. John Travolta looks at his smoking arm socket with disapproval.

It's just a flesh wound.

EPILOGUE: The humans are back on top. What's this, though? John Travolta is still alive! Imprisoned in a cage surrounded by gold.

Straight up, every shot is canted and it makes the movie look retarded.

Ironically surrounded by the very thing that he tried to attain! Hoho! Goodboy comes by and taunts Travolta for a bit. Suddenly, Travolta laughs and says “There's one thing you man-animals weren't smart enough to figure out. Kill them!” Everyone spins around and there's Forest Whitaker with a gun in his hand! He walks up to Goodboy- and hands him the gun, saying “I fixed the problem with this gun. It works now.” Because he's now their technology expert, you see! *puts barrel up to head*

THE END, directed by Roger Christian.

Numbers out of ten:

Acting: 1
While there are some actors I liked in it, like John Travolta (yes) and Forest Whitaker, nobody has done anything close to a passable job. The shifting accents, the odd noises everyone makes, nothing Oscar worthy here. If I were Forest I'd be pretty embarrassed right now.
Directing: 0
Hoho! The director is an idiot. Everything he knows about moviemaking he learned on the set of The Phantom Menace. This movie has too many canted angles, repulsive editing and awkward jump cuts, long series of close ups, and bizarre performances from actors otherwise proven to be talented. Never watch this movie.
Dialogue: 4
It's bad but it's not the worst I've ever seen.
Plot: 0
It's hard to believe that anyone liked this as a book. Religion can make smart people do stupid things.
Entertainment: 0
I want to give this a negative score. This movie didn't entertain me at all, it just made me angry.

Total: 10%

The Psyclos are the lamest aliens I can recall. They're humans with yellow teeth, yellow eyes, big disgusting beehive dreadlocks, stupid facial hair, enormous crotch bulges and giant boots. Oh, and they have gross hands that change digit amounts shot to shot. John Travolta's voice is too high pitched and wimpy to sell him at all as an antagonist. The plot is overly complicated and assumes that the audience gives a shit. I was bored as hell the entire time. Every time I paused to take a screenshot, I'd find myself a couple of minutes later surfing the web, and I'd force myself to keep watching. If I wasn't writing this review there's no way in hell I would have watched the entire thing.

I'd like to say that everyone involved in this movie is an asshole. It's a movie by assholes, about assholes, for assholes. I will never watch it again. It was one of the most unpleasant two hours of my life.

Tuesday, August 18, 2009

NEWS FLASH: District 9 is good, you heard it here first

Don't be sad bro, you made back your tiny budget in one friggin weekend.

How the fuck did they make this movie with $30 million?

I saw District 9 today because I wanted to be able to use the internet again without having anything else spoiled for me. All anyone can talk about is how awesome this movie is. I was pretty skeptical of all the hype, but holy butt, it was way better than I expected. It's a genuinely interesting story and even if that's not your cup of tea it keeps your attention with its awesome CGI aliens and sexy alien weaponry (there's lots of explosions). The lead character, Wikus, is at some points kind of a dweeb, going against the stock "all-around badass" action hero. That's not to say District 9 is cliche free, but the cliches it does have are the awesome kind. In my mind it was basically a perfect movie. THAT'S RIGHT, PERFECT. It's at the very least the best movie ever made where a guy is killed by a flying pig carcass.

Director Neill Blomkamp is from Africa but is now based in Vancouver (that's in Canada!). He has quite a bit of experience doing 3-D animation, and even worked on one of my favourite Vancouver-shot shows, Stargate SG-1, before making District 9. I'm guessing his experience doing CGI helped them be efficient and keep the total cost down. It's either that or the entire crew was made up of impoverished African children working for pennies a day. It's still mind bending, because the prawns look amazing, hands down the most realistic looking CGI aliens that I can think of.

Anyway, it's nice to see something good take #1 at the box office after a summer that had Transformers 2, GI Joe, The Proposal, Angels and Demons, and I'm going to stop listing movies now because I'm getting depressed.

After the jump, check out the original short film made by Neill Blomkamp that District 9 was based on. The effects aren't as good (and by that I mean the CGI sucks and the prawns are just people in masks with blankets on) and the short isn't even all that great, but check it out anyway.



Blomkamp, more like Blom-CHAMP, am I right? No? Okay, fine, I know where the corner is. *puts on dunce cap*

Budgets for some other weekend box office winners this summer:
GI JOE: $170 million
Transformers: $200 million
Angels and Demons: $150 million
The Proposal: $40 million

Monday, August 17, 2009

Ballistic: Ecks vs Sever (2002)

Hey, all the movies I've ever reviewed on this site are from 2002. Weird eh? I'll do something different next.

Ballistics: Ecks vs Sever, starring Antonio Banderas and Lucy Liu, was a 2002 box office failure. One reason for this was probably the name. It's hard to imagine a worse name than Ballistics: Ecks vs Sever. Many people, myself included, have trouble thinking of names for characters when writing a story. The fact that this title made it past producers, focus groups, the final draft of the script, shooting, and when it was time to send out posters tells you that there's something very wrong with the Hollywood system.

BEVS starts with some pretty standard opening titles, stock helicopter shots of a city. The director really phoned this one in. By the way, the director's name is KAOS. Seriously. I can't even imagine the amount of pussy a guy with that name pulls in.

You may have the rotten tomatoes worst reviewed movie of all time under your belt, but at least your name is Kaos. That's awesome, bro. Give yourself a pat on the back.

After these useless city shots we go to a woman driving a car with her son in the back. Some guy stops her, and he mentions some kind of child custody thing, like “The boy's father wants to see him,” and she's all like “But he just got back,” and then the guy's all like “Too bad so sad, his dad wants to see him bad.” And he grabs the kid out of the back and puts him in another car. Okay.

So the kid's riding in another car now and then, exactly 4 minutes into the movie, INCLUDING the opening titles, BUH BAM! A car next to them explodes. There's a shot of a huge truck T-boning a parked car, although I'm not sure exactly why. Everybody in the car with the kid gets out, they all have guns of various sizes. One guy's trying to shield the kid with his body.

In comes Lucy Liu, hooded badass. She kicks the shit out of everybody with her asian fighting skills. The entire fight, from the moment of the first explosion, lasts about two minutes. She kicks the last guy in the face and takes the kid with her.

Nice raincoat, O-Ren Ishii.

CUT TO! Antonio Bandaras in the role of “Ecks,” sitting at a bar drinking like a fish, looking miserable.. He's got some pretty bad stubble and long greasy hair. Some FBI guys are behind him. “Hello Ecks, we're the FBI and we're taking you in.” But Ecks doesn't want to go, he just likes drinking I guess. One of the FBI guys puts his hand on Ecks' shoulder- BIG MISTAKE!

Mariachi style ass-kicking, T-minus one second...

So he beats the crap out of the two FBI agents, and some other FBI guy whose name I forget shows up. Let's call him 'Bobo.' Bobo says, “Hello Ecks, we need to talk.” Ecks responds “The answer [to whatever you're about to ask me] is no.” Then Bobo drops a bomb- Ecks dead wife, the reason, we can only assume, that Ecks is so depressed and alcoholic, is actually still live! Buhwhuuuuuuuuh? But Bobo wants Ecks to do something for him first. “Where is my wife?” “When the job is done I'll tell you what I know.” Ecks says no, I guess he doesn't believe him or something. Cut to: Ecks walking in slow motion through the rain, intercut with the same repeated shot of a car exploding. I guess that's how he thinks his wife died, in an exploding car.

Ecks changes his mind (maybe the alcohol wore off) and goes back to talk to Bobo who's still at the same bar. “You'll be joining an FBI transnational special task force,” says Bobo, which is odd, because for the rest of the movie Ecks works with only one guy max, and everything takes place in America (I think). There's no special task force and no trips to other countries. It's a strange line. Anyway.

MEANWHILE! Lucy Liu is keeping the kid from the first scene in a cage.

This kid shows absolutely no emotion through the entire movie. Here he is locked in a cage and he's reading a book or something. Kids are dumb.

Okay, enough of that! Let's get back to Ecks. He's being briefed on whatever it is they want him to do. It's pretty confusing and it's pretty hard to care at all about the plot in this movie but from what I gather somebody had invented a tiny little robot assassin that goes into your veins and kills you from within, but it was stolen by the kidnapped kid's dad, who the FBI likes to call “The Prince of Darkness.” What do they call Satan, then?

They watch some surveillance cam footage of Lucy Liu beating the shit out of people. Ecks explains that she must have been one of the many rejected Chinese baby girls adopted by the United States Government and trained to be an assassin. Bobo says “We need you to find her.” “Of course you do,” Ecks smugly replies.

So now Ecks and his new partner are sitting in a cop car listening to the police radio. Ecks' partner who is I guess a pretty new FBI recruit, notices Ecks looking at a picture of his family he has taped to the dashboard. The following cheesy dialogue is spoken:

Partner: It's my wife and daughter. (takes other photograph of daughter from wallet, displays) Her name's Mali!
Ecks: Do you love her?
Partner: (Shocked, offended, confused) Of course!
Ecks: Then get out of this business.

So Lucy Liu has been spotted at some mall or something by the police, who for some reason don't tell Ecks/ Ecks' partner. A guy walks right up behind her and puts a gun up to her back, and says something to the effect of “OH SHIT! We got you this time!” Of course, Lucy Liu pulls some Kung-fu shit and grabs the gun from him.

BAM PUNCH PUNCH BAM!

Lucy Liu now has a different gun, not sure where she got it, which she shoots in the air, and all the innocent bystanders hit the deck. Lucy Liu has a huge, long fight with what feels like the entire United States Army.

Over the police radio, Ecks hears “Attention all Units. Shots fired. Suspect is female. Vancouver Library” and hilariously deducts that it's the person he's supposed to find. Lucky there wasn't some crazy lady with a gun anywhere else that day, that would have been embarrassing for everyone. So they peel off and head for the library. Also, I'm just now realizing that maybe the 'Couv is what they meant by transnational. Huh. Canada eh? Does that really count?

So meanwhile, there's a big stupid fight with Lucy Liu and a whole bunch of guys in army uniforms. There's actually one absolutely spectacular shot of a guy falling off a building and landing on a car which is crushed, the camera follows him smoothly and at a very steady distance all the way down. It's actually incredible and by far the most impressive part of the movie.

Now what's a pretty young shot like you doing in a movie like this?

To end the fight, Lucy takes out about six fully armed guards with a pair of little stick things and then hops up onto their military assault vehicle, which has a huge gun on the back, and proceeds to kill the shit out of everybody.

So you heard there was a lady with a gun at the library, and you brought a military assault vehicle. Nice move there buddy.

After that, she just walks away.

So in the aftermath of this massacre, Bobo's talking to this British guy who works for kidnapped kid's dad. It's a heated argument and I forget what it's about, but it just lets you know that kidnapped kid's dad is a bad guy, if you hadn't figured that out when people started calling him “The Prince of Darkness.” Ecks is there, late to the fight (typical) but he's convinced that she's going to come back for more carnage. He tells Bobo to call off the police who are investigating the crime scene. “But calling off these people at this point would be career suicide!” complains Bobo. “Not quite,” says Ecks. And, BAMMO! Bobo gets shot in the chest. His dieing words to Ecks are “She knows... she knows where your wife is!” while pointing at the woman who just murdered him. Oh, Bobo! You're so selfless.

Ecks chases after her and runs down an alleyway looking for her. “Where is she!” he yells. Suddenly, a yellow car crashes through a wall. Guess who it is? I'll tell you! It's Lucy!

“Yes, I'd like my custom licence plate to say 'BAD' on it, because I'm so BAD.” “Very good ma'am. Anything else beside 'BAD'?” “Yeah, just put three random numbers after, I don't care.”

I have no idea how to explain the action sequence that followsso instead I think I'll just give you a flash gif I made. Enjoy!

BEVS: The Animated Series

So after that shit show, Ecks finds Lucy, again, and they have a little talk. He's got the drop on her with a gun, so she says “You kill me, you kill Gant's [Prince of Darkness] son!” “I don't work for Gant. I just want my wife.” Whoa there, Harrison Ford! She doesn't answer him, they have a hilariously awful fight.

Let me break this down: He had a gun, she grabbed his gun hand and his face, then he somehow threw the gun into his free hand.

Long story short, she gets away. CUT TO! The living room of Ecks' partner, his daughter Mali sitting in a chair across from Ecks. She looks about ten years younger than she did in the picture the guy showed Ecks earlier, which is a little weird.

Ecks asks his new friend for a laptop, and he goes onto the database that everybody has access to in these movies and SOMEHOW, without even knowing her name, comes up with the full profile of Lucy Liu's character, who, it turns out, is named “Sever.”

CROSS CUT WITH! Lucy Liu, at HER computer in her secret lair with all the cages. She's looking up Ecks on her computer! She's overriding passwords and everything! She does some research and reads up on what happened to his wife. Anyway, all this parallel action is getting spliced together. It would be cool if these magical databases weren't a dumb Hollywood cliche.

After reading up on Ecks' life, she does some X-Rays of the kid she has locked up, and underneath a bandage he has on his arm is one of the assassin nanobots!

What operating system is that?

Meanwhile, some guys burst in and arrest Ecks, I couldn't tell you why though. Something about murdering some Mexican guy. Maybe something he did while he was still an unemployed drunk.

Sever (Lucy Liu) calls Gant (The Prince of Darkness). More cheesy dialogue.

Gant: Where's my son, Sever?
Sever: Maybe the same place MY son is.
Gant: You can't blame me for what happened. You broke profile.
Sever: Is that what you call having a child? CLICK! (She hangs up, she doesn't just say "CLICK")

Gant calls the police and gives them the order to kill Ecks. So now Ecks is riding in an armoured bus, handcuffed to his seat. He;s got a paperclip though, and he's breaking his cuffs. He looks ahead, at a bridge over the highway they're driving on. It's Sever, and she's pointing a huge gun at the bus! He breaks his handcuffs and grabs a huge gun of his own which is hanging on the wall of the bus for some reason. Sever shoots the bus, there's a stupid explosion, the bus flips. Now, the bus is sideways on the highway, scraping along the road at great speeds. Ecks climbs out a window and shoots at Sever from the side of the bus, which is now the top of the bus.

Remember, Ecks was about to be executed, so however this ends for him, it's going to be better than that at least.

Ecks jumps off the bus and steals a motorcycle. Sever has a motorcycle of her own. There's a motorcycle chase scene that ends up in a junkyard. A few thousand exploding cars later, everyone is dead except Sever and Ecks. Sever has the opportunity to kill Sever, but she doesn't. Instead the gives him an address on a little slip of paper: 35 Lionsburg. “You want your wife? You'll find her with Gant.” Why is she all of sudden helping him when literally second ago she was trying to blow him up? She's just crazy like that.

Meanwhile, at a Beluga aquarium, Ecks' not-actually-dead-wife is looking at some belugas. Ecks shows up. They reconcile and between the two of them piece together the completely retarded diabolical plot that kept them apart.

The lighting in this scene is terrible. It would have been cooler with silhouettes.

Apparently, Gant, the Prince of Darkness, blew up a car that Ecks thought his wife was in, and blew up a car that Ecks' wife thought Ecks was in. They both thought the other had died. Ecks' wife ended up marrying Gant. This doesn't make sense to me. Ecks has already mentioned there was a funeral for his wife, and I assume there was also a funeral for him. Wouldn't they have had some of the same friends at both funerals? Does everybody in the world know about this evil plot but them? And what bout his wife getting married? Wouldn't she have had to prove she wasn't still married to Ecks, who the legal system would have found out was still alive because he was? They were both alive and living in the same town, they never ran into each other? There's a lot of holes in this story.

Anyway, then Ecks' wife says that she still loves him and blah blah blah, but guess what? Turns out the son is actually Ecks'! Holy jumpin'!

Anyway, they leave the aquarium and Sever just shows up in her car and they both get in. They go back to Sever's secret lair, where Sever lets Ecks' son out of his cage.

“Hey son, how you been doin?” “Uh, I just got out of being locked in a cage for a week.” “That's cool. I escaped from an exploding bus.”

Right after his new found son is let out of his cage, Ecks decides to lock him right back in, this time with Ecks' wife. “You'll be safer in here.” What? All right.

Sever has a huge collection of guns. She remarks, “Some women collect shoes.” Heh heh, good one.

UH-OH, BAD GUYS! Sever talks to Gant for bit, then things blow up. I'm not getting. In this scene, Kaos has artfully decided to go with a distinct theme: big dumb asplosions. Explosions are repeated multiple times from three or four camera angles. Things are getting blown left and right, and not in the good way either. It's like this was the last scene they filmed, and they realized how many explosives they still had, so they just decided “Fuck it! Let's blow everything up.”

I think Ecks is a pretty cool guy, eh walks away from explosions and doesn't afraid of anything.

So everybody dies except for Ecks, Sever, and Gant, and of course Ecks' wife and son. All five meet up in Sever's lair, and Ecks, Holmeslike, explains to everyone what Gant's evil plan was: He stole the robot assassin and injected it into his son (actually Ecks' son) to smuggle it across the border. Gant pulls out a stupid ray gun looking thing and presses it to his son's (actually Ecks' son's) arm, then exclaims “It's not here! Where is it?”

Props guy: Oh man, I forgot to get that ray gun ready for today! Okay uhhh, how about I just put a sticker on a glue gun, nobody will ever know.

Lucy Liu shoots Gant him with another ray gun thing. It doesn't seem to hurt him. Gee, I wonder what she shot him with?
Gant: All that training. Is that the best you can do?
Sever: No. THIS is. (presses button on secret remote)

We dolly in House MD style to Gant's innards, where the assassin robot is! It uses its pinchy claws to grab something that looks important ad rip it apart. Gant dies.
CUT TO: Dock. Ecks and Sever, friends forever, stand there looking at the sea.

Ecks: Thank you.
Sever: Take care of your wife and kids.
Ecks: I will.

He looks over at Sever- but she's gone! He looks around, confused. What's this, though? Looks like she's left behind a little origami swan.

Big deal. I can make one that flaps its wings when you pull its tail.

THE END!

Numbers out of ten:

Acting: 5
Fault whoever you want for the poor performances here, the director, the actors, whoever. The fact remains that Ecks and Sever are about as unbelievable as El Mariachi and O-Ren Ishii were awesome.
Directing: 1
Absolutely terrible. I'll give Kaos one mark for that awesome shot of the guy falling off a huge tower onto a car.
Dialogue: 1
I can't believe that this script was picked up to be made into a movie. The dialogue is so terrible it's a joke.
Plot: 1
Boring, complicated, full of holes, and pretty stupid overall. Not a good plot.
Entertainment: 10
So bad, it's good. I haven't laughed this hard at a movie in a while. The sequence at the end with all the explosions was probably the worst/ funniest.

TOTAL: 32%

Sunday, August 16, 2009

some links i guess: Presented by Guess Who Jules

What?

Time for a new feature on movies are pretty cool i guess that I like to call "some links i guess." How this works is, I put up some links and you go to them. A lot of them won't have anything to do with film, but suck it.

11 terrible DVD covers and movie posters

Yep, it's a DVD box. If you can think of a funny caption for this picture you should probably start your own blog... dick.

I can't watch terrible movies every day, so why not do something popular to blogs everywhere involving almost no effort? A list of stupid things! All right! Here we go!

There's a lot of terrible DVD covers and posters out there, for great movies and terrible movies alike. These can fall into a few categories: floating heads, terrible photoshops, or just all around bad layout.

Take the European release of Children of Men for example.
The layout and the colour are pretty bad, and what's going on with Clive Owen's eyes? I've heard a lot of people complain about the North American Children of Men cover, but at least it was simple, and the colour scheme representative of the movie's actual texture.

This one is just straight up terrible photoshopping. Looks like they're trying to paste William H Macy's face on somebody else's head. The “Loser...Schmoozer” lines are pretty hilarious too.
This is one of my favourite things in the world. “1-Disc Unrated Edition!” I think a better marketing strategy would have been to just go ahead and call it the “Unrated Edition,” not brag about the fact that it includes the absolute minimum amount of DVDs needed in order to be sold. But hey, I'm not paid to make DVD covers, I'm just a guy who sits in his basement making fun of other people's hard work, so what do I know, really.
Two things wrong with this photoshop. One of them doesn't matter and one of them does. First of all, that's not how reflections work. We can tell from the level of the horizon and the level of batman that he's in a tall building of his own, so the refection on the floor should be of the sky, not the city. Second of all, Batman's staring at a giant black post.

Three things I know about this graphic designer:
  1. He likes fire.
  2. He doesn't know how arms work, so he probably doesn't have arms of his own.
  3. He's anti-gun, so he refused to photoshop a gun into Nicolas Cage's hand.
Vanishing Point took a bit of a strange turn on its international release. Purple was an odd colour choice for an action movie about driving a muscle car across America. I like that they've included an actual “vanishing point” around the car, though. Anyway, this cover is the one I have and it's way better.
Here's an old one. On Her Majesty's Secret Service is one of the three James Bond movies I've actually seen, it's pretty awesome. But it's funny that in an age before photoshop people were still making the same kind of mistakes. That's not how skis work.
Clearly the graphic designer mistook Martin Lawrence for a ten-year-old and photoshopped him as such.
Seriously guys, either take a few online photoshop tutorials or just go back to painting movie posters like you used to, those always look better anyways.
I guess once you've hired Nicolas Cage for your low budget vampire comedy you can't afford to spend more than three seconds working out the DVD cover design. Makes sense.

Three pictures of Forest Whitaker? I would have been happy with one, but yeah, mathematically this should be about three times more awesome.

That was fun! I should do this again some time.