Showing posts with label 2002. Show all posts
Showing posts with label 2002. Show all posts

Monday, August 17, 2009

Ballistic: Ecks vs Sever (2002)

Hey, all the movies I've ever reviewed on this site are from 2002. Weird eh? I'll do something different next.

Ballistics: Ecks vs Sever, starring Antonio Banderas and Lucy Liu, was a 2002 box office failure. One reason for this was probably the name. It's hard to imagine a worse name than Ballistics: Ecks vs Sever. Many people, myself included, have trouble thinking of names for characters when writing a story. The fact that this title made it past producers, focus groups, the final draft of the script, shooting, and when it was time to send out posters tells you that there's something very wrong with the Hollywood system.

BEVS starts with some pretty standard opening titles, stock helicopter shots of a city. The director really phoned this one in. By the way, the director's name is KAOS. Seriously. I can't even imagine the amount of pussy a guy with that name pulls in.

You may have the rotten tomatoes worst reviewed movie of all time under your belt, but at least your name is Kaos. That's awesome, bro. Give yourself a pat on the back.

After these useless city shots we go to a woman driving a car with her son in the back. Some guy stops her, and he mentions some kind of child custody thing, like “The boy's father wants to see him,” and she's all like “But he just got back,” and then the guy's all like “Too bad so sad, his dad wants to see him bad.” And he grabs the kid out of the back and puts him in another car. Okay.

So the kid's riding in another car now and then, exactly 4 minutes into the movie, INCLUDING the opening titles, BUH BAM! A car next to them explodes. There's a shot of a huge truck T-boning a parked car, although I'm not sure exactly why. Everybody in the car with the kid gets out, they all have guns of various sizes. One guy's trying to shield the kid with his body.

In comes Lucy Liu, hooded badass. She kicks the shit out of everybody with her asian fighting skills. The entire fight, from the moment of the first explosion, lasts about two minutes. She kicks the last guy in the face and takes the kid with her.

Nice raincoat, O-Ren Ishii.

CUT TO! Antonio Bandaras in the role of “Ecks,” sitting at a bar drinking like a fish, looking miserable.. He's got some pretty bad stubble and long greasy hair. Some FBI guys are behind him. “Hello Ecks, we're the FBI and we're taking you in.” But Ecks doesn't want to go, he just likes drinking I guess. One of the FBI guys puts his hand on Ecks' shoulder- BIG MISTAKE!

Mariachi style ass-kicking, T-minus one second...

So he beats the crap out of the two FBI agents, and some other FBI guy whose name I forget shows up. Let's call him 'Bobo.' Bobo says, “Hello Ecks, we need to talk.” Ecks responds “The answer [to whatever you're about to ask me] is no.” Then Bobo drops a bomb- Ecks dead wife, the reason, we can only assume, that Ecks is so depressed and alcoholic, is actually still live! Buhwhuuuuuuuuh? But Bobo wants Ecks to do something for him first. “Where is my wife?” “When the job is done I'll tell you what I know.” Ecks says no, I guess he doesn't believe him or something. Cut to: Ecks walking in slow motion through the rain, intercut with the same repeated shot of a car exploding. I guess that's how he thinks his wife died, in an exploding car.

Ecks changes his mind (maybe the alcohol wore off) and goes back to talk to Bobo who's still at the same bar. “You'll be joining an FBI transnational special task force,” says Bobo, which is odd, because for the rest of the movie Ecks works with only one guy max, and everything takes place in America (I think). There's no special task force and no trips to other countries. It's a strange line. Anyway.

MEANWHILE! Lucy Liu is keeping the kid from the first scene in a cage.

This kid shows absolutely no emotion through the entire movie. Here he is locked in a cage and he's reading a book or something. Kids are dumb.

Okay, enough of that! Let's get back to Ecks. He's being briefed on whatever it is they want him to do. It's pretty confusing and it's pretty hard to care at all about the plot in this movie but from what I gather somebody had invented a tiny little robot assassin that goes into your veins and kills you from within, but it was stolen by the kidnapped kid's dad, who the FBI likes to call “The Prince of Darkness.” What do they call Satan, then?

They watch some surveillance cam footage of Lucy Liu beating the shit out of people. Ecks explains that she must have been one of the many rejected Chinese baby girls adopted by the United States Government and trained to be an assassin. Bobo says “We need you to find her.” “Of course you do,” Ecks smugly replies.

So now Ecks and his new partner are sitting in a cop car listening to the police radio. Ecks' partner who is I guess a pretty new FBI recruit, notices Ecks looking at a picture of his family he has taped to the dashboard. The following cheesy dialogue is spoken:

Partner: It's my wife and daughter. (takes other photograph of daughter from wallet, displays) Her name's Mali!
Ecks: Do you love her?
Partner: (Shocked, offended, confused) Of course!
Ecks: Then get out of this business.

So Lucy Liu has been spotted at some mall or something by the police, who for some reason don't tell Ecks/ Ecks' partner. A guy walks right up behind her and puts a gun up to her back, and says something to the effect of “OH SHIT! We got you this time!” Of course, Lucy Liu pulls some Kung-fu shit and grabs the gun from him.

BAM PUNCH PUNCH BAM!

Lucy Liu now has a different gun, not sure where she got it, which she shoots in the air, and all the innocent bystanders hit the deck. Lucy Liu has a huge, long fight with what feels like the entire United States Army.

Over the police radio, Ecks hears “Attention all Units. Shots fired. Suspect is female. Vancouver Library” and hilariously deducts that it's the person he's supposed to find. Lucky there wasn't some crazy lady with a gun anywhere else that day, that would have been embarrassing for everyone. So they peel off and head for the library. Also, I'm just now realizing that maybe the 'Couv is what they meant by transnational. Huh. Canada eh? Does that really count?

So meanwhile, there's a big stupid fight with Lucy Liu and a whole bunch of guys in army uniforms. There's actually one absolutely spectacular shot of a guy falling off a building and landing on a car which is crushed, the camera follows him smoothly and at a very steady distance all the way down. It's actually incredible and by far the most impressive part of the movie.

Now what's a pretty young shot like you doing in a movie like this?

To end the fight, Lucy takes out about six fully armed guards with a pair of little stick things and then hops up onto their military assault vehicle, which has a huge gun on the back, and proceeds to kill the shit out of everybody.

So you heard there was a lady with a gun at the library, and you brought a military assault vehicle. Nice move there buddy.

After that, she just walks away.

So in the aftermath of this massacre, Bobo's talking to this British guy who works for kidnapped kid's dad. It's a heated argument and I forget what it's about, but it just lets you know that kidnapped kid's dad is a bad guy, if you hadn't figured that out when people started calling him “The Prince of Darkness.” Ecks is there, late to the fight (typical) but he's convinced that she's going to come back for more carnage. He tells Bobo to call off the police who are investigating the crime scene. “But calling off these people at this point would be career suicide!” complains Bobo. “Not quite,” says Ecks. And, BAMMO! Bobo gets shot in the chest. His dieing words to Ecks are “She knows... she knows where your wife is!” while pointing at the woman who just murdered him. Oh, Bobo! You're so selfless.

Ecks chases after her and runs down an alleyway looking for her. “Where is she!” he yells. Suddenly, a yellow car crashes through a wall. Guess who it is? I'll tell you! It's Lucy!

“Yes, I'd like my custom licence plate to say 'BAD' on it, because I'm so BAD.” “Very good ma'am. Anything else beside 'BAD'?” “Yeah, just put three random numbers after, I don't care.”

I have no idea how to explain the action sequence that followsso instead I think I'll just give you a flash gif I made. Enjoy!

BEVS: The Animated Series

So after that shit show, Ecks finds Lucy, again, and they have a little talk. He's got the drop on her with a gun, so she says “You kill me, you kill Gant's [Prince of Darkness] son!” “I don't work for Gant. I just want my wife.” Whoa there, Harrison Ford! She doesn't answer him, they have a hilariously awful fight.

Let me break this down: He had a gun, she grabbed his gun hand and his face, then he somehow threw the gun into his free hand.

Long story short, she gets away. CUT TO! The living room of Ecks' partner, his daughter Mali sitting in a chair across from Ecks. She looks about ten years younger than she did in the picture the guy showed Ecks earlier, which is a little weird.

Ecks asks his new friend for a laptop, and he goes onto the database that everybody has access to in these movies and SOMEHOW, without even knowing her name, comes up with the full profile of Lucy Liu's character, who, it turns out, is named “Sever.”

CROSS CUT WITH! Lucy Liu, at HER computer in her secret lair with all the cages. She's looking up Ecks on her computer! She's overriding passwords and everything! She does some research and reads up on what happened to his wife. Anyway, all this parallel action is getting spliced together. It would be cool if these magical databases weren't a dumb Hollywood cliche.

After reading up on Ecks' life, she does some X-Rays of the kid she has locked up, and underneath a bandage he has on his arm is one of the assassin nanobots!

What operating system is that?

Meanwhile, some guys burst in and arrest Ecks, I couldn't tell you why though. Something about murdering some Mexican guy. Maybe something he did while he was still an unemployed drunk.

Sever (Lucy Liu) calls Gant (The Prince of Darkness). More cheesy dialogue.

Gant: Where's my son, Sever?
Sever: Maybe the same place MY son is.
Gant: You can't blame me for what happened. You broke profile.
Sever: Is that what you call having a child? CLICK! (She hangs up, she doesn't just say "CLICK")

Gant calls the police and gives them the order to kill Ecks. So now Ecks is riding in an armoured bus, handcuffed to his seat. He;s got a paperclip though, and he's breaking his cuffs. He looks ahead, at a bridge over the highway they're driving on. It's Sever, and she's pointing a huge gun at the bus! He breaks his handcuffs and grabs a huge gun of his own which is hanging on the wall of the bus for some reason. Sever shoots the bus, there's a stupid explosion, the bus flips. Now, the bus is sideways on the highway, scraping along the road at great speeds. Ecks climbs out a window and shoots at Sever from the side of the bus, which is now the top of the bus.

Remember, Ecks was about to be executed, so however this ends for him, it's going to be better than that at least.

Ecks jumps off the bus and steals a motorcycle. Sever has a motorcycle of her own. There's a motorcycle chase scene that ends up in a junkyard. A few thousand exploding cars later, everyone is dead except Sever and Ecks. Sever has the opportunity to kill Sever, but she doesn't. Instead the gives him an address on a little slip of paper: 35 Lionsburg. “You want your wife? You'll find her with Gant.” Why is she all of sudden helping him when literally second ago she was trying to blow him up? She's just crazy like that.

Meanwhile, at a Beluga aquarium, Ecks' not-actually-dead-wife is looking at some belugas. Ecks shows up. They reconcile and between the two of them piece together the completely retarded diabolical plot that kept them apart.

The lighting in this scene is terrible. It would have been cooler with silhouettes.

Apparently, Gant, the Prince of Darkness, blew up a car that Ecks thought his wife was in, and blew up a car that Ecks' wife thought Ecks was in. They both thought the other had died. Ecks' wife ended up marrying Gant. This doesn't make sense to me. Ecks has already mentioned there was a funeral for his wife, and I assume there was also a funeral for him. Wouldn't they have had some of the same friends at both funerals? Does everybody in the world know about this evil plot but them? And what bout his wife getting married? Wouldn't she have had to prove she wasn't still married to Ecks, who the legal system would have found out was still alive because he was? They were both alive and living in the same town, they never ran into each other? There's a lot of holes in this story.

Anyway, then Ecks' wife says that she still loves him and blah blah blah, but guess what? Turns out the son is actually Ecks'! Holy jumpin'!

Anyway, they leave the aquarium and Sever just shows up in her car and they both get in. They go back to Sever's secret lair, where Sever lets Ecks' son out of his cage.

“Hey son, how you been doin?” “Uh, I just got out of being locked in a cage for a week.” “That's cool. I escaped from an exploding bus.”

Right after his new found son is let out of his cage, Ecks decides to lock him right back in, this time with Ecks' wife. “You'll be safer in here.” What? All right.

Sever has a huge collection of guns. She remarks, “Some women collect shoes.” Heh heh, good one.

UH-OH, BAD GUYS! Sever talks to Gant for bit, then things blow up. I'm not getting. In this scene, Kaos has artfully decided to go with a distinct theme: big dumb asplosions. Explosions are repeated multiple times from three or four camera angles. Things are getting blown left and right, and not in the good way either. It's like this was the last scene they filmed, and they realized how many explosives they still had, so they just decided “Fuck it! Let's blow everything up.”

I think Ecks is a pretty cool guy, eh walks away from explosions and doesn't afraid of anything.

So everybody dies except for Ecks, Sever, and Gant, and of course Ecks' wife and son. All five meet up in Sever's lair, and Ecks, Holmeslike, explains to everyone what Gant's evil plan was: He stole the robot assassin and injected it into his son (actually Ecks' son) to smuggle it across the border. Gant pulls out a stupid ray gun looking thing and presses it to his son's (actually Ecks' son's) arm, then exclaims “It's not here! Where is it?”

Props guy: Oh man, I forgot to get that ray gun ready for today! Okay uhhh, how about I just put a sticker on a glue gun, nobody will ever know.

Lucy Liu shoots Gant him with another ray gun thing. It doesn't seem to hurt him. Gee, I wonder what she shot him with?
Gant: All that training. Is that the best you can do?
Sever: No. THIS is. (presses button on secret remote)

We dolly in House MD style to Gant's innards, where the assassin robot is! It uses its pinchy claws to grab something that looks important ad rip it apart. Gant dies.
CUT TO: Dock. Ecks and Sever, friends forever, stand there looking at the sea.

Ecks: Thank you.
Sever: Take care of your wife and kids.
Ecks: I will.

He looks over at Sever- but she's gone! He looks around, confused. What's this, though? Looks like she's left behind a little origami swan.

Big deal. I can make one that flaps its wings when you pull its tail.

THE END!

Numbers out of ten:

Acting: 5
Fault whoever you want for the poor performances here, the director, the actors, whoever. The fact remains that Ecks and Sever are about as unbelievable as El Mariachi and O-Ren Ishii were awesome.
Directing: 1
Absolutely terrible. I'll give Kaos one mark for that awesome shot of the guy falling off a huge tower onto a car.
Dialogue: 1
I can't believe that this script was picked up to be made into a movie. The dialogue is so terrible it's a joke.
Plot: 1
Boring, complicated, full of holes, and pretty stupid overall. Not a good plot.
Entertainment: 10
So bad, it's good. I haven't laughed this hard at a movie in a while. The sequence at the end with all the explosions was probably the worst/ funniest.

TOTAL: 32%

Saturday, August 15, 2009

Swept Away (2002)

Guy Ritchie has had a somewhat odd career. Chances are you've seen Lock, Stock and Two Smoking Barrels and Snatch, both of which are amazing. He followed that up with Revolver, which kind of sucked, and most recently put out RockNRolla, which wasn't that bad, really. He also directed the upcoming Sherlock Holmes with Robert Downey Jr., which I'm nervously excited for. Hopefully it'll put Ritchie back on top.

The Guy Ritchie film that isn't usually talked about is Swept Away, incredibly made between Snatch and Revolver. It's a remake of the 1974 Italian film called Swept Away by an Unusual Destiny in the Blue Sea of August. Ritchie's version stars his wife Madonna as the female lead, and Adriano Giannini in the same role his father Giancarlo Giannini played in the original.



We begin with some pretty solid opening credits. It introduces some of the characters, is visually interesting, and well-edited (one of Ritchie's strengths). What we have is a group of rich people, including Amber (Madonna) and her husband, about to go on a boat cruise.

If you like gap-toothed women, you'll love this movie! Actually you'll probably still hate it.

When they get to the dock, it's established right away that Madonna's character is a complete bitch and that Madonna is a terrible actor. She doesn't want to get on the yacht because she thinks it's a piece of junk (I don't know what kind of boat she's used to but I thought it looked pretty spiffy). At least there's a gym, she says. Madonna and her party, which includes Elizabeth Banks, get on the boat. Banks is hot and awesome as always.

Now we're introduced to the other main character, Italian fisherman Giuseppe, who Madonna hilariously calls “Pee-Pee”. Right away she asks for him to show her the gym. “Ah yes, right away!” he responds, and brings her back an exercise bike and a jump rope. Wuh-oh! She gets mad and yells at him and whatnot.

During dinner, Elizabeth Banks lays some pipe by delivering the line “This is a really good idea, a trip from Italy to Greece! Just imagine all the deserted islands along the way.” Well now, that was awfully expository.

Ladies and gentlemen, Elizabeth Banks, the best part of the movie. Actually... the face that other girl's making is pretty awesome too. Best SINGLE FRAME frame of the movie, right here.

They go swimming, all except Madonna who sits in the boat under an umbrella and insults Giuseppe. The audience, at this point, hates Madonna and loves the funny little Italian fisherman. He sounds like Mario! He's mostly polite and good-natured around Madonna, but when he's out of her sight he makes remarks to the boat crew like “I'm going to kill that fucking bitch with a kitchen knife!” At one point she overhears him and asks the captain, “Did one of your crew members just swear in front of me?” The captain, thinking on his feet as captains do, plays it off like “fuking” is the name of a fish, because saying “I'm going to kill that fish bitch with a kitchen knife!” is okay. She responds, in one of the strangest lines in the movie, “I don't care if it's fuking, puking, or a fucking kung fu king! I want fish and I want it tonight!”

Madonna continues to be a bitch, Giuseppe continues to fulfill her every request. There's a truly satisfying dream sequence where Madonna complains that the fish is bad, and Giuseppe says, “Well, if you don't want to EAT it, you must want to WEAR it!” And he dumps it on her head. She gripes and complains and then he picks her up and throws her overboard, proclaiming himself in charge of the boat.

The other best part of the movie, and my computer wallpaper.

Of course, you know what kind of movie this is, so it's pretty obvious that SOMETHING or other's going to happen and they'll fall in love, right? Hope I didn't give anything away there.

Later, Madonna's drunk on the boat and bumps into Giuseppe in the hall. He's carrying a huge fish. She asks to dance with him, and he says “I don't wanna dance with people I don't like.” OH SNAP!

You want to dance, eh? What do you think, Mr Fish? Do you think I should dance with her? What's that, Mr Fish? Why, I think you're right, she DOES have a gap in her teeth.

The next day, Madonna wants to go visit the caves. Giuseppe warns her that the caves are far away, there's a strong current, it's getting late, etc. Madonna still wants to go. They get on the boat, Giuseppe warning her that it's a bad idea the entire time. Madonna asks if he's scared, he says something like, “Scared? Woman, I was conceived on a boat and born on a boat, there's no wave or storm that frightens me.” Predictably, the boat breaks down midway through this line. Try as he might, Giuseppe can't start it up again.

Guy Ritchie: “Could you look a little more worried, love?” Madonna: “Shut up! I'm the material girl!” Guy Ritchie: “Righty ho then.”

There's some very nice wide shots of the dinghy in the water, and day fades into night. Again, the movie looks great, the colour of the water is perfect and the camera moves well. You can probably tell from these stills that this ain't no Cheerleader Ninjas. Anyway, some boring stuff happens, the days pass, Madonna shoots the dinghy with a flare gun and then they find land. Civilization! ...or is it?

Nope, it's a deserted island. “It's a deserted island,” Giuseppe tells Madonna, who says “That's impossible, you idiot. It's not 1492.” They have a fight, she calls him a “dirty black midget,” he calls her a “whore”, they part ways. This is followed by a little montage of them trying to survive on the island. Giuseppe makes a spear gun out of wood, finds a little shack, fills a coke bottle with fresh water from a waterfall, and picks berries while Madonna gets hurt, falls down, and sticks her tongue into a rock crevasse to catch some tiny drips of water.

PAN UP to reveal GIUSEPPE relieving himself on the top of the rock pile, drinking from his coke bottle. He points at the camera and winks. GIUSEPPE: Live on the COKE side of life!

So, Madonna's hungry and tired while Giuseppe's having an awesome time. He's eating some fish that he caught, sitting in the shade and chuckling to himself. Madonna moans, “Give me some fucking fish you scumbag!”

I'll mention now that, for all my complaining, the movie so far hasn't been terrible. The cinematography and editing is very nice, and that alone makes it pretty watchable. It's brought down by Madonna's terrible acting and some unnatural dialogue, but honestly I didn't really mind it. It seems just like any other terrible romantic comedy.

So back to the action. Madonna asks the scumbag for some fucking fish. Then, he slaps her across the face and she stumbles back. Whoa there! That was a little weird. At first I expected it to be another dream sequence, but nope.

SLAP!

From this point on the relationship between Madonna and Giuseppe changes to that of master and slave. Giuseppe makes some rules:
  1. Don't insult Giuseppe
  2. Giuseppe's the boss
  3. If you want Giuseppe's fishes, you have to EARN them!
  4. Wash Giuseppe's clothes (here Giuseppe strips naked, hands Madonna his clothes)
  5. The plural form of "fish" is now "fishes" (seriously)
  6. You have to call Giuseppe "Master."
At first, Madonna doesn't want to be a part of this, but then he slaps her again and she reluctantly goes and washes his clothes for him.

Look at that badass, he doesn't give a SHIT about proper pluralization!

Giuseppe's now waited on hand and foot. He gives a small amount of food to Madonna, but he's a huge asshole to her as well. He spends a lot of time slapping her around and kicking her until she falls over. She spends a lot of time curled in a ball, crying softly to herself. It's uncomfortable to watch, and probably has no place in a romantic comedy, which I thought this was supposed to be. The only thing that makes watching it a little bit easier is Madonna's terrible acting, so, good casting, I guess.

At one point he forces Madonna to sing and dance for a meal. This goes into a dream sequence where Madonna lip-synchs to “Come on-a my house” in front of a band.

This would probably be more entertaining and glamourous if it wasn't a metaphor of a physically abused woman being forced to sing and dance for some raw fish to eat

So I guess she gets some food or something, but anyway, the next day Madonna's on her hands and knees cleaning the grill Giuseppe uses to cook fish on. Then, out of nowhere, Giuseppe says “Show me your tits, now!” and kicks her in the stomach. “Help! Help!” Madonna cries as Giuseppe attacks her. “Shout, shout! Who's going to help you, idiot!” Madonna kicks him in the balls and runs off. He chases her, tackles her to the ground, rips her clothes off. She screams and screams, calling him a pig and a rapist. He kisses her and asks her to beg him for sex. She eventually does, and at that point he says “No! Only when we fall in love!” and gets up and walks away, leaving Madonna to lay in the sand and cry. It's fucked up.

Quickest way to ruin a rom-com: rape scene. Or, cast Madonna

After the rape scene, slow, romantic piano music plays. Shots of a crying Madonna fade into shots of a regretful Giuseppe. Then, the montage shifts to show Madonna going up to Giuseppe and kissing his feet, then the two having sex on the beach, in Giuseppe's shack, in the forest, everywhere. Madonna is so happy! Giuseppe remarks, “Dear Mrs Amber, you have never looked so happy on the yacht.” The audience feels physically ill.

Indeed, Madonna does seem to prefer this life. A yacht (maybe even THE yacht) sails by close to the island, and she crouches for cover so she can keep living with lovable ol' Giuseppe McRapeypants.

“Ladies and gentlemen, if you'll direct your attention to the right you'll see Madonna hiding behind a bush. A common sighting in the Mediterranean.”

That night, Madonna and Giuseppe sit around a campfire. Madonna's sad because she thinks Giuseppe longs for a younger woman. He says no. Still, Madonna can't help but think that they never would have ended up together if they weren't stranded on an island (which is pretty obvious, really). Later, the two find some alcohol, drink it, and play charades.


They laugh and have fun acting out Charlie Chaplin, Jesus Christ, and a flapping penguin. The next day, Madonna tells Giuseppe she loves him. He doesn't say it back.

Though he doesn't slap her around as much anymore, Giuseppe is still a dick. One day Madonna surprises him by catching him an octopus. Angrily, he says “I catch the fishes around here, you cook them!” and throws the perfectly good octopus on the floor.

One day, a yacht arrives offshore. Giuseppe goes to catch its attention, but Madonna says “Let's hide! I love you!” Giuseppe responds, “I need proof.” So he runs out into the sea, yelling and waving.

That's him on the shore there, see?

They get on the boat. The movie cuts to Madonna hugging her old husband. Giuseppe's there, too. He looks sad and walks away. The husbands friend gives Giuseppe a literal bag full of money. Giuseppe spends it all on a wedding ring for Madonna, then he gives her a call.

Giuseppe: I love you, I am yours, I always will be!”
Madonna: “I love you too my darling, I love you more than life.”

They arrange for Giuseppe to come up with a plan, write that plan on a note, and give Madonna the note and she'll do what it says. Through a series of Shakespearean-style-letter-mix-up circumstances, they both end up believing that the other betrayed them. Madonna flies off in a helicopter with her husband, Giuseppe chases after her and tries to throw his ring at the helicopter (real smart move there, buddy). The ring falls into the sea. The camera follows the falling ring as the credits roll.

Kind of a depressing ending, but any sadness is far outweighed by the relief that the movie's over.

Swept Away is a terrible movie. It's hard to feel sympathy for Madonna's character, and even harder to laugh at a rapist. This should have been a romantic comedy between Elizabeth Banks and Jason Statham. Hey now, that's a pretty awesome idea. ARE YOU LISTENING, HOLLYWOOD?

Numbers out of ten:

Acting: 5
Madonna was awful, but the other actors weren't bad. I'll give it a 5 because Madonna shared one of the only two parts for most of the movie.
Directing: 7
The directing was fine. As I've said, most of the performances were fairly well brought out, and the shots and editing were excellent.
Dialogue: 6
Not bad either. Pretty standard dialogue for this type of movie.
Plot: 2
You'd have to be a fool to think this is a good plot. I haven't seen the original, but Guy Ritchie wrote the script for this one. I think there would have been a better way to have them fall in love than through Stockholm Syndrome.
Entertainment: 2
Right up until the slap I would have given it about a five. It wasn't a great movie but it wasn't terrible. Once the abuse started the movie was just embarrassing to watch. It's certainly not “so-bad-it's-good” either.

TOTAL: 44%

It is kind of interesting as a film, if only to show that even a great director can make a terrible movie. If you want to learn that lesson, though, watch Revolver, there's no rape and it even has Jason Statham.

Bonus Fun Fact!: Madonna's character is named Amber Leighton, which is the name of Sigmund Ritchie's real life mother. Wait, I meant to say GUY Ritchie.

Friday, August 14, 2009

Cheerleader Ninjas (2002)


Lionsgate Films. The thing about Lionsgate is that they seem to pick up any movie that nobody else wants to. Sometimes this allows great movies that otherwise wouldn't have had a chance of being distributed a chance, like the original Saw, The Descent, or Crank, which is awesome. But then we have all the movies that other studios passed on for good reason, like Alone in the Dark, See No Evil, Saw 2 – 6 and, apparently, Cheerleader Ninjas. Directed, written, edited, co- produced, narrated, and starring (as “Dog-humping boy”) Kevin Campbell.

All right, let's pop Cheerleader Ninjas in the old video machine. I hope you like fart noises and stereotypes!

We begin with a PSA about how porn makes you gay. A kid gets pulled into his computer by a green monster hand and a guy who introduces himself as the “narrator” says something about how homosexuals should have the letter “H” tattooed on themselves so people can identify them. All right. The camera pulls out to reveal that this is a video being watched by a club at a Catholic high school called “Catholic Mothers with Too Much Time on their Hands,” which is a strange name for a group because it's insulting towards themselves.

So this club has only four people in it, and only one is actually important to the plot, that lady in the picture there. They talk about how the cheerleaders at another, non-Catholic high school are evil because they have a porn site, which she brandishes a flyer for. I should also mention, not because it has any bearing on the plot, that one of the Catholic mothers is pregnant and her water breaks during the meeting. This mother's name is Madonna. A biblical metaphor? I just got a film student boner.

CUT TO! Cheerleader practice. These are the good cheerleaders, they're called the Hamsters. Watching the cheerleaders practice from the bleachers are the school nerds. At least, I'm pretty sure they're the nerds, it's pretty subtle but I think the message is there. A few of them have laptop computers, so that's pretty nerdy, right? Oh, and they're all wearing Star Trek uniforms, so I guess that's a little hint. The only other tool Campbell has given us to identify this stereotype is a sign in front of them reading “geeks, dorks, walking pustules of filth.” A pustule is a small amount of pus, for those of you who don't sit behind this sign. Anyway, the nerds are filming the cheerleaders and then they say, “Come on, back to the clubhouse! We've got subscribers you know!”

After cheer practice, the Hamsters stumble upon a flyer for a porn site- starring them! Apparently this is news to them, and they decide it must be the nerd's fault, leading to this delightful exchange:

Angela (the smart one): I'm gonna kill those worms!
Cheerleader 2: Ugh! I hate worms!
Cheerleader 3: Yeah! They remind me of... worms!

Hahaha! It's funny because they're stupid.

Now we're at the Blessed Virgin Sacrifice Reform School for Girls, where gay teacher Stephen is beginning a lecture called “How to run a death camp for cheerleaders.” Suddenly, in walks the Catholic Mothers from the first scene! The head Catholic mother offers him the chance to kill the Hamster cheerleaders because he hates them so much. There's an elaborate flashback revealing the reason for his hatred of the Hamsters: last year he tried out to be on the squad but was denied because he's gay (I would have thought a better reason for denying him is the fact that he's around forty years old, but eh, whatever). And so, the plot moves forward: Stephen's off to murder the Hamsters.

Meanwhile, the cheerleaders confront the nerds in their nerd-den. Angela grabs the nerd leader, Maverick, by the throat a la Darth Vader.

Angela: Maverick! I thought I smelled your foul stench when I was brought aboard.
Maverick: (gasping for breath) We're- on- a- dip-lomatic- mission...
Angela: I think you're on an E-mission, 24 hours a day! (throws Maverick into chair).

Get it? Stench, emission? Because nerds smell bad, you see.

Some pointless sci-fi references and farting noises later, the nerds reveal that they weren't the ones who made the flyers (“I really didn't make the poster! I would have made her boobs bigger.”).

At school the next day, the Hamsters run into Stephen's ninja cheerleader squad. The film's first terrible fight scene ensues. Here are some complaints I have about it:

-The line “Ninja formation! Wait, we don't even know Kung Fu!” Because Kung Fu and Ninjitsu are the same thing.
-A pretty obvious dummy (actually an inflatable sex doll) is used as a stunt double. It just looks retarded.
-The editing makes no sense, it's a three on four fight, but with the quick cuts it ends up feeling much larger. There's a lot of shirts ripping and the exposed breasts of several obvious body doubles, but when the fight's over all girls are fully clothed and back to normal. Huh. Weird.
-The nerds are there, taking pictures and videos of the topless cheerleaders, which is strange because they just explained that they haven't been taking naked pictures of the cheerleaders
-The sound effects guy is going fucking nuts. There's fart sound effects where it doesn't make sense, cats meowing (I guess because it's a “catfight”), sword slashing when no swords are being slashed, and more. Sound effects are strange and unnecessary throughout the movie, but they're particularly bad in this scene.

After the fight it's back to the nerd den, because “we need to learn some Kung Fu! Last time we were here Maverick was working on a web page for a Ninja master!” The nerds agree to give them ninja lessons from some long haired hippie “Ninja master”. At some point during this encounter, there is a bizarre homage to the scene in American Beauty when Kevin Spacey is watching some high school cheerleaders when he begins fantasizing about one of them. In his fantasy, she rips open her uniform and rose petals fly out. In the Cheerleader Ninja homage, one of the nerds is fantasizing about watching a cheerleader, and when she opens her uniform, a fat retarded guy throws a bouquet of roses at her and laughs. I'm sure Sam Mendes wrote Campbell to thank him for this sequence.

Stephen goes and meets up with a badass black dude known only as “X” who is, I think, the head bad guy. You can tell he's badass as shit because he's literally smoking an entire pack of cigarettes at once, also because he's big and black.

X gives Stephen a folder that has secret information about Angela, only to be opened in an emergency, which doesn't really make any sense but I guess it moves the plot along somewhat.

Now, Stephen's evil cheerleaders confront the nerds and invite them to a slumber party to which they accept. Writer/Director Kevin Campbell, obviously from the “show them don't tell them” school of storytelling, is trying to make us hate the evil cheerleaders for being depraved. When the nerds show up, all the evil cheerleaders are looking at porn. Then, the head evil cheerleader emerges from the bathroom and proclaims “Hey girls, check out what just came out of my butt!” The other cheerleaders, excited beyond belief about looking into a toilet, run into the bathroom to examine it. One proclaims with glee, “Jesus, girl, what did you eat? A truck?”

Meanwhile, there's a training montage with the Hamsters learning to be Ninjas. At one point a cheerleader throws a ninja sword and it hits a bear standing behind a sign that says “Very Rare Bear.” This is my favourite part of the movie. I especially love that it rhymes, and that the word “very” was included. Anyway, the point is that now the girls know Kung Fu and are therefore Ninjas. Right.

Once their training is done, the cheerleaders somehow run into Stephen, the evil gay guy, sitting on a pile of rocks in a field, stroking a puppy. Director Kevin Campbell interrupts and announces, “For the benefit of those watching at home, the following scene will be in 'nese': Chinese, Japanese... and Pekingese!” I guess Pekingese was the punchline? I've learned that I don't understand most of Campbell's jokes.

For the next three lines, characters say things like “Toyota Nissan Honda Suzuki!” and the subtitles say things like “On my planet, overpopulation is a serious problem!” It's all very hilarious and cutting edge. Then people start talking in English again, and the subtitles say things like “Suk mi chu mi likety lesbo goo cu bu fu,” which is the language that I imagine Kevin Campbell's thoughts to be in. Then everything's back to normal.

Evil cheerleaders show up, and here we go with another stupid fight sequence. ALL of my complaints about the first fight scene apply to this one as well, with one addition. This one ends with all the cheerleaders, good and bad, getting on pogo sticks and hopping after each other through a sprinkler. If that sounds at all erotic to you, have faith that this movie can make it look stupid and gross and keep the image untainted in your imagination.

So they chase off the bad guys and it almost seems like the movie's completely over. The nerds and the Hamsters go back to the nerd den and party down, drinking William Shatner Brand beer and William Shatner brand chips. Beer, Chips, Star Trek, and Cheerleaders- a nerd's dream come true! There's some little plot about Maverick tricking Angela into going on a blind date picnic with him but it's confusing as hell and I hardly care at this point, so forget about it.

Maverick and Angela realize that somebody's hacked the internet and there's a “zombie enslavement program” turning all nerds (which means anybody that uses the internet in this movie) into zombies. They hurry back to the party to warn the other nerds and Hamsters. The bad guys, who were the ones that planned this whole thing, realize that the nerds and cheerleaders found out about them and... anyway, something happens and here we go with another fight sequence.

-This one starts with Stephen yelling “You better hope your tombstones are on sale!” What?
-The fight starts with new cheerleaders, never before seen in the movie, running up and kicking the Hamsters in the face. Okay, fine. Then there's a cut and the new cheerleaders are gone, never to return. What the fuck?
-A bunch of mascots run out of the woods and they start fighting the Hamsters. Any casual observer will notice that they reused the bear costume.

The nerds, to help the cheerleaders, make their own plans. “Flamer! Get this over to the nuclear power plant where you work part time in the computer department. Hook your laptop up to the download feed.” Later in the movie, this bit of computer wizardry is going to allow the nerds to make anything they want spontaneously appear. But we'll get to that in a second.

The mascots are defeated, and Stephen mourns their loss.

The original evil cheerleaders show up. They combine to form a “megazord,” just like in Power Rangers. Is that an actual thing? I'd always just assumed that it was just from Power Rangers. Shows all I know. The giant zord, towering over a cardboard city in front of the most obvious green screen you've ever seen, fights off planes, X-Wing fighters, and the USS Enterprise, all of which are created by the nerds from their computer lab on top of a hill. The evil cheerleader zord snaps the Enterprise in half and wipes its ass with it. The nerds make idiotic sc-fi jokes every three seconds. It's unbelievably lame.

Then, the zord crushes the local shoe store (somebody cries, “Ahh! My crippled baby in a wheelchair!” Why would a baby be in a wheelchair? Do you mean a stroller?) and the cheerleaders have had enough. The nerds give them these ribbons to wear arond their necks called “hologram receptors” that will allow them to become a megazord too. This happens. The two megazords are hitting each other with giant double-ended dildos that make farting noises. I would peg this as the lowest point in the entire movie.

Retarded story short, the Hamsters win and the evil cheerleaders fall to the ground dead. Then we see Stephen, and the evil cheerleaders walk up to him. Wait, what? You guys all just died! One shot ago! Ugh. Honestly, whatever. I don't care what happens in this movie now.

Again, the movie FEELS like it's over. They've already killed the bad guys a bunch of times and spent a lot of time celebrating. Somehow, it's not. It keeps going. I guess the zombie virus is still spreading throughout the internet. By the nerds' calculations it will have taken over the entire internet within two days. Some shit goes down and everybody ends up at the head bad guy's hideout, where the movie's two twists come into play.

Twist one: The person responsible for the zombie virus is Todd, a rival computer nerd who I haven't even told you about until now, but if you watch the movie you can call this twist about an hour before the big reveal. The thing about this “twist” is that it changes nothing, the bad guys are still just as bad because they just hired this nerd to help them, so it could just as easily have been any one of the non-surprise bad guys that were responsible for the whole thing. Anyway.

Twist two: We've known throughout the movie that Angela, the smart cheerleader, is going to college on a cheerleading scholarship, we just don't know for what. Well, turns out she's going for computer science! She's a nerd! Wow! Angela uses her nerd skillz to hack the internet and save the day and I can't believe I just wrote “skillz.”

Okay, so they've saved the world enough times now, right? Everything's wrapped up? Not by a long shot. We're in for about sixteen Lord of the Rings- style repeated endings. Two cheerleaders turn out to be lesbians, Stephen joins the squad, Maverick gets a blind girlfriend (he licks her black glasses a lot), and some other stuff. Whatever. This movie sucks and I'm sick of telling you about it.

Numbers out of ten:

Acting: 4
The acting, for a movie that feels a lot like a porno, was surprisingly not completely terrible. Not that it was good, by any stretch of the imagination.
Directing: 2
No. The directing was awful. Props for actually finishing this full length film, and I feel like the director is really proud of it, but it should never be seen. Campbell edited this film as well, which is surprising to me as well because the scenes are shot in a way that I can't imagine they would be by anyone with editing experience. Most of the movie should have been reshot. Actually, now that I think about it, shouldn't have been shot in the first place.
Dialogue: 2
You should already be able to tell from what dialogue I've included here that it's pretty awful.
Plot: 1
The plot was too complicated and incoherent.
Entertainment: 3
Some movies are known for being “so bad they're good”. Not this one. I think it's hard for comedy movies to fall into this category. Failed attempts at drama or horror can be hilarious, but failed attempts at humour are more or less just pathetic. By the time two megazords were fighting with farting dildos over a city I was pretty much done with this movie. I would have turned it off many times but for this review. I would not recommend it to my worst enemy.

TOTAL: 24%

Edit: Out of curiosity I checked RottenTomatoes out on this one. There's only one review, from a site called filmthreat. Anyway, I thought it was interesting because the filmthreat guy apparently LOVED this movie. Some blurbs:

"Sorry if my memory's a little foggy, but there's quite a lot happening in this flick and I was too busy laughing my ass off to give a shit exactly what was going on. All's I know is, director Kevin Campbell is a comic mastermind."

"Yes, my friends, this is the ultimate party movie!"

"Cheerleader Ninjas: it turned my bad mood into giddiness and now I go get naked and play around in a freeway. [What?] That's a good movie for ya!"